Crossroads. A Journal of English Studies, 2021, Issue 34
: [5]
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Contents
- CHRISTOPHER HANSEN
The monstrous feminine: Ungoliant, Shelob, and women in Tolkien’s Middle-Earth - KHANDAKAR ASHRAFUL ISLAM
Biopolitical Nomos and “bare life” in Arundhati Roy’s novels - AGNIESZKA KLIŚ
Theatricality of women’s voice: An Embarrassing Position by Kate Chopin - AGNIESZKA STAWECKA-KOTUŁA
Disruptive strangeness or domesticated exoticism? Some challenges of cultural translation in the Polish rendition of Fury by Salman Rushdie - ALEKSANDRA CZAJKOWSKA
“To give form to what cannot be comprehended”: Trauma in Kurt Vonnegut’s Slaughterhouse-Five and Martin Amis’s Time’s Arrow
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Collection's Items (Sortowane przez Data zamieszczenia w Malejąco kolejnośi): 1 do 5 z 5
Data wydania | Tytuł | Autor(rzy) | Promotor | Redaktor(rzy) |
---|---|---|---|---|
2021 | “To give form to what cannot be comprehended”: Trauma in Kurt Vonnegut’s Slaughterhouse-Five and Martin Amis’s Time’s Arrow | Czajkowska, Aleksandra | - | - |
2021 | Disruptive strangeness or domesticated exoticism? Some challenges of cultural translation in the Polish rendition of Fury by Salman Rushdie | Stawecka-Kotuła, Agnieszka | - | - |
2021 | Theatricality of women’s voice: An Embarrassing Position by Kate Chopin | Kliś, Agnieszka | - | - |
2021 | Biopolitical Nomos and “bare life” in Arundhati Roy’s novels | Islam, Khandakar Ashraful | - | - |
2021 | The monstrous feminine: Ungoliant, Shelob, and women in Tolkien’s Middle-Earth | Hansen, Christopher | - | - |
Collection's Items (Sortowane przez Data zamieszczenia w Malejąco kolejnośi): 1 do 5 z 5