Crossroads. A Journal of English Studies, 2014, Issue 7
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Contents
ARTICLES
- Ewelina Feldman-Kołodziejuk
 Margaret Atwood’s The Blind Assassin as a Social Chronicle of 20th Century Canada
- Jerzy Kamionowski
 The “Color-Line” Criticism: Literary Fiction, Historical Facts, and the Critical Controversies about William Styron’s The Confessions of Nat Turner
- Grzegorz Moroz
 Oxford Travel Book Writers and Gentlemen-Scholars: Constructing Narrative Personae in Aldous Huxley’s The Jesting Pilate, Robert Byron’s The Station and Evelyn Waugh’s Remote People
- Stephen Oladele Solanke
 Mythotypes and Sociological Imports in the Apartheid World of Sizwe Bansi is Dead
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      | Data wydania | Tytuł | Autor(rzy) | Promotor | Redaktor(rzy) | 
|---|---|---|---|---|
| 2014 | Mythotypes and Sociological Imports in the Apartheid World of "Sizwe Bansi is Dead" | Solanke, Stephen Oladele | - | - | 
| 2014 | The 'Color-Line' Criticism: Literary Fiction, Historical Facts, and the Critical Controversies about William Styron’s "The Confessions of Nat Turner" | Kamionowski, Jerzy | - | - | 
| 2014 | Oxford Travel Book Writers and Gentlemen-Scholars: Constructing Narrative Personae in Aldous Huxley’s "The Jesting Pilate", Robert Byron’s "The Station" and Evelyn Waugh’s "Remote People" | Moroz, Grzegorz | - | - | 
| 2014 | Margaret Atwood’s "The Blind Assassin" as a Social Chronicle of 20th Century Canada | Feldman-Kołodziejuk, Ewelina | - | - | 
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