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    <dc:date>2026-06-01T20:19:30Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/11320/3112">
    <title>Mythotypes and Sociological Imports in the Apartheid World of "Sizwe Bansi is Dead"</title>
    <link>http://hdl.handle.net/11320/3112</link>
    <description>Tytu&amp;#322;: Mythotypes and Sociological Imports in the Apartheid World of "Sizwe Bansi is Dead"
Autorzy: Solanke, Stephen Oladele
Abstrakt: Oppression of man by man has been a common phenomenon from time immemorial. This subjugation has mostly been subtle, insidious and debilitating, especially of the oppressed and the common people. This paper examines the apartheid South African world in "Sizwe Bansi is Dead", and exposes tacit, discreet but mythically destructive avenues that Athol Fugard, Wiston Ntshona and John Kani opine oppressors have always archetypically drawn from. The paper allows that freedom is possible if the oppressed are introspective, creative, focussed, and do not get themselves lost in the ‘dangerous dreams’ of their oppressors. They must, like Styles, Sizwe and Buntu in the examined text, be able to create, archetypically too, like their oppressors, new songs, new myths and new weaponry and strategies to unchain themselves.</description>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/11320/3111">
    <title>The 'Color-Line' Criticism: Literary Fiction, Historical Facts, and the Critical Controversies about William Styron’s "The Confessions of Nat Turner"</title>
    <link>http://hdl.handle.net/11320/3111</link>
    <description>Tytu&amp;#322;: The 'Color-Line' Criticism: Literary Fiction, Historical Facts, and the Critical Controversies about William Styron’s "The Confessions of Nat Turner"
Autorzy: Kamionowski, Jerzy
Abstrakt: This article analyses critical responses to William Styron’s "The Confessions of Nat Turner", claiming that the reception of the novel was strongly determined by the question of race and the different perception-and-interpretation of a “common” history by black and white Americans. I demonstrate that the polemics about Styron’s novel resulted not only from an entirely different understanding by white and black critics of the question as to what literature is essentially and what social role it has to perform, but also from the incompatible implementation of historiography, in the realm of which both sides placed the novel. I argue that, as a result, the critical controversies about "The Confessions" were drawn along the so-called “color line”, a category which traditionally defined Americans according to their race.</description>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
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    <title>Oxford Travel Book Writers and Gentlemen-Scholars: Constructing Narrative Personae in Aldous Huxley’s "The Jesting Pilate", Robert Byron’s "The Station" and Evelyn Waugh’s "Remote People"</title>
    <link>http://hdl.handle.net/11320/3110</link>
    <description>Tytu&amp;#322;: Oxford Travel Book Writers and Gentlemen-Scholars: Constructing Narrative Personae in Aldous Huxley’s "The Jesting Pilate", Robert Byron’s "The Station" and Evelyn Waugh’s "Remote People"
Autorzy: Moroz, Grzegorz
Abstrakt: The travel book as a genre in the British literary tradition has been, for more than two centuries, characterized by the central role of craftily constructed narrative personae of gentlemen/travellers. This paper is an attempt to pinpoint the main similarities and differences in the construction of the narrative personae of three key between-the-wars Oxford graduates, who later became renowned writers Robert Byron, Aldous Huxley and Evelyn Waugh.</description>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/11320/3109">
    <title>Margaret Atwood’s "The Blind Assassin" as a Social Chronicle of 20th Century Canada</title>
    <link>http://hdl.handle.net/11320/3109</link>
    <description>Tytu&amp;#322;: Margaret Atwood’s "The Blind Assassin" as a Social Chronicle of 20th Century Canada
Autorzy: Feldman-Kołodziejuk, Ewelina
Abstrakt: The aim of this article is to demonstrate through Margaret Atwood’s novel "The Blind Assassin" the social changes that took place in 20th century Canada. Depicting the fall of a once respected Toronto bourgeois family of Chase, the book covers the period from the early 1900s through World War I, the Depression years, and World War II to the late 1990s. By situating the story of the Chase sisters against the broader backdrop of Canadian history, Atwood presents the transformation from the rigidly divided society of the past into an egalitarian society of the present day Canada. To give "The Blind Assassin" a deeper sense of history the author incorporated into the novel various documents from the past, such as newspaper clippings. Although many of these cuttings are of Atwood’s contriving and were merely inspired by actual events, they allow the author, through the use of pastiche, to poke fun at a number of dominant ideologies of the past and highlight how profound and inevitable the social changes of the last century were.</description>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
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