Crossroads. A Journal of English Studies, 2014, Issue 7
: [4]
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Contents
ARTICLES
- Ewelina Feldman-Kołodziejuk
Margaret Atwood’s The Blind Assassin as a Social Chronicle of 20th Century Canada - Jerzy Kamionowski
The “Color-Line” Criticism: Literary Fiction, Historical Facts, and the Critical Controversies about William Styron’s The Confessions of Nat Turner - Grzegorz Moroz
Oxford Travel Book Writers and Gentlemen-Scholars: Constructing Narrative Personae in Aldous Huxley’s The Jesting Pilate, Robert Byron’s The Station and Evelyn Waugh’s Remote People - Stephen Oladele Solanke
Mythotypes and Sociological Imports in the Apartheid World of Sizwe Bansi is Dead
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Collection's Items (Sortowane przez Data zamieszczenia w Malejąco kolejnośi): 1 do 4 z 4
Data wydania | Tytuł | Autor(rzy) | Promotor | Redaktor(rzy) |
---|---|---|---|---|
2014 | Mythotypes and Sociological Imports in the Apartheid World of "Sizwe Bansi is Dead" | Solanke, Stephen Oladele | - | - |
2014 | The 'Color-Line' Criticism: Literary Fiction, Historical Facts, and the Critical Controversies about William Styron’s "The Confessions of Nat Turner" | Kamionowski, Jerzy | - | - |
2014 | Oxford Travel Book Writers and Gentlemen-Scholars: Constructing Narrative Personae in Aldous Huxley’s "The Jesting Pilate", Robert Byron’s "The Station" and Evelyn Waugh’s "Remote People" | Moroz, Grzegorz | - | - |
2014 | Margaret Atwood’s "The Blind Assassin" as a Social Chronicle of 20th Century Canada | Feldman-Kołodziejuk, Ewelina | - | - |
Collection's Items (Sortowane przez Data zamieszczenia w Malejąco kolejnośi): 1 do 4 z 4