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Tytuł: When Nonhuman Sidekicks Take Over: The Bakhtinian Carnivalesque and the Upturned Hierarchy in Sir Gadabout by Martyn Beardsley (1992)
Autorzy: Wilde, Julia Helena
Słowa kluczowe: children’s literature
knight
cat
anthropomorphism
carnivalesque
Data wydania: 2025
Data dodania: 15-sty-2026
Wydawca: The University of Białystok, The Faculty of Philology
Źródło: Crossroads. A Journal of English Studies 51 (4/2025), pp. 118-136
Abstrakt: In her The Middle Ages in Children’s Literature (2015), Clare Bradford observes that “[c]hildren’s texts... are far more likely to make fun of the Middle Ages than of classical antiquity, the early modern period or the Victorian age” (155). It is also true for Sir Gadabout (1992), the first book of Martyn Beardsley’s series for children, whose title character is the worst knight in the world. In this context, Sidney Smith, a cat and a sidekick, proves to be the most powerful character. One source of humour in the book is the Bakhtinian carnivalesque inversion of anthropocentric hierarchy, which results in the cat being granted human-like agency—even if it is rarely explicitly acknowledged by the narrator. The objective of this paper is to analyse the carnivalesque power reversals that elevate the character who, as a nonhuman, does not belong to the historical feudal system. The use of the figure of Sidney Smith is crucial, as it allows for a subtle rebellion and inverts the book’s power structure. At the same time, such inversion is perceived as comical rather than threatening precisely because the character is an anthropomorphized cat and thus cannot permanently distort the real-world social order.
Afiliacja: University of Warsaw, Poland
Nota biograficzna: Julia Helena Wilde is a Ph.D. candidate at the Institute of English Studies, Warsaw University. In her master’s thesis, she examined the role of animals in the early medieval lives of the British saints. Currently, her main academic interests focus on animal studies, children’s literature, 19th-century reworkings of early medieval Irish saints, and medieval hagiographies in a cultural context. In her PhD dissertation, she analyses the reception and reinterpretation of St. Brendan the Navigator’s figure in the 19th century.
E-mail: j.wilde@uw.edu.pl
Sponsorzy: Work on this article was supported by the National Science Centre, Poland, under the grant “Figurations of Interspecies Harmony in Literature, Film and Other Cultural Texts of the English-Speaking Sphere, from the mid-19th to the 21st Centuries” [UMO-2020/38/E/HS2/00130].
URI: http://hdl.handle.net/11320/19614
DOI: 10.15290/CR.2025.51.4.09
e-ISSN: 2300-6250
metadata.dc.identifier.orcid: 0000-0001-7245-7438
Typ Dokumentu: Article
metadata.dc.rights.uri: https://creativecommons.org/licenses/by-nc-sa/4.0/
Właściciel praw: Creative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0)
Występuje w kolekcji(ach):Crossroads. A Journal of English Studies, 2025, Issue 51

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