REPOZYTORIUM UNIWERSYTETU
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  2. Czasopisma naukowe / Journals
  3. Czasopismo Naukowe Instytutu Studiów Kobiecych
  4. Czasopismo Naukowe Instytutu Studiów Kobiecych, 2024, nr 2(17)

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    • Proszę używać tego identyfikatora do cytowań lub wstaw link do tej pozycji: http://hdl.handle.net/11320/17788
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    Pole DCWartośćJęzyk
    dc.contributor.authorChwastyk-Kowalczyk, Jolanta-
    dc.date.accessioned2025-01-10T06:48:29Z-
    dc.date.available2025-01-10T06:48:29Z-
    dc.date.issued2024-
    dc.identifier.citationCzasopismo Naukowe Instytutu Studiów Kobiecych, nr 2(17), 2024, s. 107-140pl
    dc.identifier.issn2451-3539-
    dc.identifier.urihttp://hdl.handle.net/11320/17788-
    dc.description.abstractArtykuł omawia wielopłaszczyznową działalność Kamili Krzyżaniak, z wykształcenia architekta, z pasji – malarki. Od kilku lat mieszka ona w Londynie, jest założycielką i redaktor naczelną najważniejszej inicjatywy – anglojęzycznego kwartalnika „Luxury Splash of Art”, z podtytułem „Art and Lifestyle Magazine”. Magazyn ukazuje się od jesieni 2020 r. do dziś. Poświęcony jest wszelkim rodzajom sztuk, co wykazała przeprowadzona analiza zawartości. Ukazuje się w Londynie w wersji papierowej i interaktywnej on-line – pod adresem: www.luxurysplashofart.com, Instagram: Luxury_Splash_of_Art, Facebook: LuxurySplashofArt, info@luxurysplashofart.com. Pismo jest drukowane na dobrej jakości papierze kredowym, zamieszcza doskonałej jakości kolorowe zdjęcia. Ich układ jest starannie przemyślany, redakcja nie oszczędza miejsca, jest dużo światła, co pozwa la w pełni docenić ich walory artystyczne. Jest to interdyscyplinarny, inspirujący luksusowy magazyn, który gromadzi nie tylko głośne w artystycznym świecie nazwiska, ale też rzemieślników, tancerzy, fotografów, pisarzy, miłośników dobrej kuchni – słowem pasjonatów wszelkich przejawów piękna i celebrowania różnorodnych ucieleśnień twórczych. Współpracujący z pismem (na zasadzie barteru) ludzie z całego świata –– pisarze, fotografowie, inni twórcy – od ważnie wprowadzają odbiorcę w wielowymiarową kulturę współczesną.Użyte metody: analiza zawartości prasy – jakościowa; wywiady, studium przypadku – case study, biografika prasowa.pl
    dc.description.abstractThe article discusses the multifaceted activity of Kamila Krzyżaniak, an architect by education, a painter by passion. She has been living in London for several years, she is the founder and editor-in-chief of the most important initiative – the English-language quarterly “Luxury Splash of Art”, subtitled “Art and Lifestyle Magazine”. The magazine has been published since autumn 2020. It is devoted to all kinds of arts, which was shown by the analysis of the content. It is published in London in paper and interactive online versions – at: www.luxurysplashofart.com, Instagram: Luxury_Splash_of_Art, Facebook: LuxurySplashofArt, info@luxurysplashofart.com.The magazine is printed on good quality chalk paper and contains excellent quality color photos. Their arrangement is carefully thought out, the editorial office spares no space, there is a lot of light, which allows you to fully appreciate their artistic values.This interdisciplinary, inspiring luxury magazine that col lects not only famous names in the artistic world, but also craftsmen, dancers, photographers, writers, lovers of good food – in a word, enthusiasts of all manifestations of beauty and the celebration of various creative embodiments. People from all over the world who cooperate with the magazine – on the basis of barter – writers, photographers and other artists, boldly introduce the recipient into the multidimensional contemporary culture. Methods used: press content analysis – qualitative; inter views, case study, press biography.pl
    dc.description.sponsorshipPublikacja przygotowana/dofinansowana ze środków budżetu państwa w ramach progr amu „Społeczna odpowiedzialność nauki” Ministra Edukacji i Nauki. Jest wynikiem udziału w projekcie „Ośrodek Badań Historii Kobiet – kontynuacja II”.pl
    dc.language.isoplpl
    dc.publisherWydawnictwo HUMANICA Instytut Studiów Kobiecychpl
    dc.rightsUznanie autorstwa-Na tych samych warunkach 4.0 Polska-
    dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/pl/-
    dc.subject„Luxury Splash of Art”pl
    dc.subjectXXI wiekpl
    dc.subjectWielka Brytaniapl
    dc.subjectKamila Krzyżaniakpl
    dc.subject21st centurypl
    dc.subjectGreat Britainpl
    dc.title„Luxury Splash of Art” – autorski pomysł Kamili Krzyżaniakpl
    dc.title.alternativeLuxury Splash of Art” – Kamila Krzyżaniak’s Original Ideapl
    dc.typeArticlepl
    dc.rights.holderUznanie autorstwa-Na tych samych warunkach 4.0 Polskapl
    dc.identifier.doi10.15290/cnisk.2024.02.17.05-
    dc.description.Emailchwastyk@ujk.edu.plpl
    dc.description.BiographicalnoteJolanta Chwastyk-Kowalczyk – profesor zwyczajny doktor habilitowany, zatrudniona w Instytucie Mediów, Dziennikarstwa i Komunikacji Społecznej na Uniwersytecie Jana Kochanowskiego w Kielcach; obecnie kierownik Zakładu Komunikacji Społecznej. W latach 2009–2012 pełniła funkcję zastępcy dyrektora ds. naukowych Instytutu Bibliotekoznawstwa i Dziennikarstwa UJK. W latach 2012–2016 dyrektor Instytutu Dziennikarstwa i Informacji. Zainteresowania badawcze to prasa wychodźcza i emigracyjna, szczególnie w Wielkiej Brytanii, a także okres dwudziestolecia międzywojennego w Polsce. Autorka ponad 190 artykułów naukowych oraz 12 publikacji zwartych: „Bluszcz” w latach 1918–1939. Tematyka społeczna oraz problemy kultury i literatury (Kielce 2003); Londyński „Dziennik Polski” 1940–1943 (Kielce 2005); Londyński „Dziennik Polski i Dziennik Żołnierza 1944–1989. Gazeta codzienna jako środek przekazu komunikatów kulturowych (Kielce 2008); Katyń, dipisi, PKPR na łamach polskich czasopism uchodźczych (Kielce 2011); Obraz edukacji Polaków na obczyźnie na łamach czasopism emigracyjnych (Kielce 2014); „Technika i Nauka” – elitarne czasopismo Stowarzyszenia Techników Polskich w Wielkiej Brytanii (Kielce 2015); Londyński „Nowy Czas” na początku XXI wieku (Kielce 2019); Londyński „Pamiętnik Literacki” – organ Związku Pisarzy Polskich na Obczyźnie – w latach 1976–2018 (Kielce 2019); Polskie dziennikarki na emigracji w XX i XXI wieku (Kielce 2021); „Pro Libris”. Lubuskie Czasopismo Literacko-Kulturalne (2001–2021) (Warszawa 2022); Polscy dziennikarze emigracyjni skupieni wokół londyńskiego „Dziennika Polskiego i Dziennika Żołnierza” (Kielce 2023); Skandynawska „Kronika poświęcona sprawom polskim” 1971–1985. Pismo uchodźców politycznych 1968 roku, København–Londyn, Naukowy Instytut Polsko-Skandynawski/ Polsk-Skandinavisk Forskningsinstitut [Fond]/ Polish-Scandinavian Research Institute/-PUNO-Press, 2024. Członek (od 2010 r.) Komisji Prasoznawczej Oddziału PAN w Krakowie, od marca 2015 r. członek zarządu tej Komisji; od marca 2019 r. sekretarz naukowy, od marca 2023 wiceprzewodnicząca tej Komisji; profesor afiliowany PUNO w Londynie. Od 2012 r. redaktor naczelna wznowionych „Zeszytów Naukowych PUNO” (Londyn).pl
    dc.description.AffiliationUniwersytet Jana Kochanowskiego w Kielcachpl
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    dc.description.referencesChwastyk-Kowalczyk, Jolanta. „«Oficyna Poetów» – niszowy kwartalnik literacko-artystyczny (1966–1980)”, Rocznik Historii Prasy Polskiej, z. 2(32), 2013, 117–132.pl
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    dc.description.references“A source for Gustave Courbet’s famous the Painter’s Studio”, Luxury Splash of Art, No. 9, 2022, 52-55.pl
    dc.description.referencesAdamczewski, Filip. “Existence, Woman and…”, Luxury Splash of Art, No. 9, 2022, 3–9.pl
    dc.description.referencesAdamczewski, Filip. “Multiverse through my eyes”, Luxury Splash of Art, No. 8, 2022, 18–27.pl
    dc.description.referencesAdamczewski, Filip. “Philosophical search in the art of living”, Luxury Splash of Art, No. 9, 2022, 69–73.pl
    dc.description.references“Advancements from Past to Future”, Luxury Splash of Art, No. 1, 2020, 8–9.pl
    dc.description.references“Art in eyes of James Gillick”, Luxury Splash of Art, No. 1, 2020, 12–14.pl
    dc.description.referencesAslan Melissa, “Women in the Art Industry”, Luxury Splash of Art, No. 7, 2021, 104–107.pl
    dc.description.references“Auguste Rodin and Collective Exhibition «ECLECTIC»”, Luxury Splash of Art, No. 10, 2022, 27–35.pl
    dc.description.references“Beyond Borders – Collective Exhibition”, Luxury Splash of Art, No. 8, 2022, 29–35.pl
    dc.description.referencesBielas, Joanna. “His fairy-tale world”, Luxury Splash of Art, No. 9, 2022, 81–83.pl
    dc.description.referencesBielas, Joanna. Jedrasiewicz, Natalia. “Last Stand Bozkow Manor”, Luxury Splash of Art, No. 9, 2022, 10–17.pl
    dc.description.referencesBozsahin, Belgin. “Talking sculptors, about our innate bond with nature”, Luxury Splash of Art, No. 1, 2020, 22–25pl
    dc.description.references“Captured by Nature”, Luxury Splash of Art, 2021, No. 8, 48–55.pl
    dc.description.referencesCoyle, Emma. “Inspiration by the drawings of Picasso and Matisse to create Pop art”, Luxury Splash of Art, No. 4, 2021, 79–81.pl
    dc.description.referencesDušek, Bea. Hanf, Dieter. “Furniture art or passion”, Luxury Splash of Art, No. 2, 2020, 20–21.pl
    dc.description.references“Editors Notes”, Luxury Splash of Art, No. 1, 2020, 1.pl
    dc.description.references“Explore with Julina”, Luxury Splash of Art, No. 8, 2022, 40–45.pl
    dc.description.references“Explore with Julina”, Luxury Splash of Art, No. 10, 2022, 48–51.pl
    dc.description.references“Evaluation”, Luxury Splash of Art, No. 8, 2022, 84–89.pl
    dc.description.referencesFoudler, Maria. “Art as my first Aid”, Luxury Splash of Art, No. 2, 2020, 12–13.pl
    dc.description.references“French Delicacies”, Luxury Splash of Art, No. 1, 2020, 5.pl
    dc.description.references“Graffiti – what is it actually for?”, Luxury Splash of Art, No. 3, 2020, 48–52.pl
    dc.description.references“Hand painted silk scarf”, Luxury Splash of Art, No. 7, 2021, 128.pl
    dc.description.references“Hand painted silk scarves. As unique as you”, Luxury Splash of Art, No. 5, 2021, 3.pl
    dc.description.referencesHanf, Dieter. “About Friendship and Death in Social Media”, Luxury Splash of Art, No. 7, 2021, 122–127.pl
    dc.description.referencesHanf, Dieter. “Art & Crime”, Luxury Splash of Art, No. 3, 2020, 36–37.pl
    dc.description.referencesHanf, Dieter. “Art is self-expression to me”, Luxury Splash of Art, No. 4, 2021, 76–78.pl
    dc.description.referencesHanf, Dieter. “Conceptual Photography in the Real World”, Luxury Splash of Art, No. 3, 2020, 14–15.pl
    dc.description.referencesHanf, Dieter. “Richard Stipl”, Luxury Splash of Art, No. 4, 2021, 44–50.pl
    dc.description.referencesHanf, Dieter. “Urban Landscape in Photographs Annette Schreiber”, Luxury Splash of Art, No. 3, 2020, 16–20.pl
    dc.description.referencesHanf, Dieter. “What is driving us to be creative?”, Luxury Splash of Art, No. 4, 2021, 17–19.pl
    dc.description.referencesHanf, Dieter. “What is it?”, Luxury Splash of Art, No. 10, 2022, 40–43.pl
    dc.description.references“Henk van Cauwenbergh”, Luxury Splash of Art, No. 1, 2020, 5–6.pl
    dc.description.referencesHieronymous. “A Vietnam fascination”, Luxury Splash of Art, No. 7, 2021, 45–56.pl
    dc.description.referencesHolman, Ludi. “Photographer who creates art. Interview with Luke Foreman, Luxury Splash of Art, No. 4, 2021, 6–16.pl
    dc.description.referencesJedrasiewicz, Natalia. “Adventure down the Nile”, Luxury Splash of Art, No. 1, 2020, 16.pl
    dc.description.referencesKay, Katarzyna. “In my small universe”, Luxury Splash of Art, No. 9, 2022, 56–59.pl
    dc.description.referencesKay, Katarzyna. “On the run through Chicago”, Luxury Splash of Art, No. 8, 2022, 38–41.pl
    dc.description.referencesKay, Katarzyna. “What I liked at Venice Biennale 2022”, Luxury Splash of Art, No. 9, 2022, 74–79.pl
    dc.description.referencesKiersh, Edward. “A Child of Freedom”, Luxury Splash of Art, No. 5, 2021, 101–103.pl
    dc.description.referencesKiersh, Edward. “A Golden Rebirth”, Luxury Splash of Art, No. 5, 2021, 44–45.pl
    dc.description.referencesKiersh, Edward. “A Life That Used To Be. «My work is theatre…»”, Luxury Splash of Art, No. 7, 2021, 62–71.pl
    dc.description.referencesKiersh, Edward. “A Lightness of Being”, Luxury Splash of Art, No. 5, 2021, 11–21.pl
    dc.description.referencesKiersh, Edward. “A New Universe Beckons”, Luxury Splash of Art, No. 6, 2021, 12–17.pl
    dc.description.referencesKiersh, Edward. “A Room of One’s Own”, Luxury Splash of Art, 2021, No. 4, 61–65.pl
    dc.description.referencesKiersh, Edward. “A Sicilian Legacy”, Luxury Splash of Art, No. 5, 2021, 4–10.pl
    dc.description.referencesKiersh, Edward. “At the End of the World”, Luxury Splash of Art, No. 7, 2021, 76–85.pl
    dc.description.referencesKiersh, Edward. “Cavorting with Rhinoceros and Elephants”, Lux ury Splash of Art, No. 6, 2021, 62–71.pl
    dc.description.referencesKiersh, Edward. “Eden of Enlightenment”, Luxury Splash of Art, No. 7, 2021, 2–11.pl
    dc.description.referencesKiersh, Edward. “Escaping into the Atlas”, Luxury Splash of Art, No. 5, 2021, 27–33pl
    dc.description.referencesKiersh, Edward. “Faces of Glory”, Luxury Splash of Art, No. 6, 2021, 18–26.pl
    dc.description.referencesKiersh, Edward. “Floating into the Unknown”, Luxury Splash of Art, No. 7, 2021, 28–42.pl
    dc.description.referencesKiersh, Edward. “Golden Visions on the Arno”, Luxury Splash of Art, No. 4, 2021, 40–43.pl
    dc.description.referencesKiersh, Edward. “Her Girls Come Alive”, Luxury Splash of Art, No. 7, 2021, 56–61.pl
    dc.description.referencesKiersh, Edward. “Liberation”, Luxury Splash of Art, No. 6, 2021, 100–104.pl
    dc.description.referencesKiersh, Edward. “Life is a Cabaret”, Luxury Splash of Art, No. 5, 2021, 48–52.pl
    dc.description.referencesKiersh, Edward. “Living on the Edge”, Luxury Splash of Art, No. 6, 2021, 4–11.pl
    dc.description.referencesKiersh, Edward. “Message in the Stone”, Luxury Splash of Art, No. 6, 2021, 85–89.pl
    dc.description.referencesKiersh, Edward. “Orbiting in a Faraway Galaxy”, Luxury Splash of Art, No. 7, 2021, 88–95.pl
    dc.description.referencesKiersh, Edward. “Seductions from Another Galaxy”, Luxury Splash of Art, No. 4, 2021, 54–55.pl
    dc.description.referencesKiersh, Edward. “Seeking Wonderland”, Luxury Splash of Art, No. 5, 2021, 68–75.pl
    dc.description.referencesKiersh, Edward. “Sextantio Le Grotte Della Civita. One of Europe’s must see gems”, Luxury Splash of Art, No. 6, 2021, 56–61.pl
    dc.description.referencesKiersh, Edward. “Spheres of Influence”, Luxury Splash of Art, No. 6, 2021, 36–45.pl
    dc.description.referencesKiersh, Edward. “The Girl with no Face”, Luxury Splash of Art, No. 7, 2021, 70–75.pl
    dc.description.referencesKiersh, Edward. “The Illusionist”, Luxury Splash of Art, No. 5, 2021, 63–67.pl
    dc.description.referencesKiersh, Edward. “The intrepid treasure hunter”, Luxury Splash of Art, No. 5, 2021, 34–36.pl
    dc.description.referencesKiersh, Edward. “The Invisible Anthropologist”, Luxury Splash of Art, No. 6, 2021, 27–32.pl
    dc.description.referencesKiersh, Edward. “The Unbreakable Glass Blower”, Luxury Splash of Art, No. 6, 2021, 72–75.pl
    dc.description.referencesKiersh, Edward. “The unclassifiable of modern art”, Luxury Splash of Art, No. 6, 2021, 106–109.pl
    dc.description.referencesKiersh, Edward. “Viva Cuba Libre”, Luxury Splash of Art, No. 7, 2021, 12–19.pl
    dc.description.referencesKiersh, Edward. Kamila Krzyżaniak, “A Room of One’s Own: The Truth about Interior Design”, Luxury Splash of Art, No. 5, 2021, 58–62.pl
    dc.description.referencesKlimt, Kiki. “Through the Light”, Luxury Splash of Art, No. 4, 2021, 72–74.pl
    dc.description.referencesKowalczewska, Agnieszka. “Attitude into the Stage”, Luxury Splash of Art, No. 5, 2021, 98–99.pl
    dc.description.referencesKowalczewska, Agnieszka. “Born to be Different”, Luxury Splash of Art, No. 8, 2022, 60–65.pl
    dc.description.referencesKowalczewska, Agnieszka. “Chess is a game for the intelligent”, Luxury Splash of Art, No. 8, 2022, 56–59.pl
    dc.description.referencesKowalczewska, Agnieszka. “Conducting through life with my best friend – Music”, Luxury Splash of Art, No. 8, 2022, 14–17.pl
    dc.description.referencesKowalczewska, Agnieszka. “Creation itself is the home we all come from, we exist because we were created”, Luxury Splash of Art, No. 4, 2021, 32–38.pl
    dc.description.referencesKowalczewska, Agnieszka. “Creation of your reality lies in your hands”, Luxury Splash of Art, No. 7, 2021, 108–112.pl
    dc.description.referencesKowalczewska, Agnieszka. “Everything starts with an idea and the urge to create”, Luxury Splash of Art, No. 10, 2022, 60–61.pl
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    dc.description.referencesKowalczewska, Agnieszka. “His style of breaking is incredibly unique”, Luxury Splash of Art, No. 5, 2021, 54–57.pl
    dc.description.referencesKowalczewska, Agnieszka. “Imagine the impossible – Simon Kenny”, Luxury Splash of Art, No. 5, 2021, 22–26.pl
    dc.description.referencesKowalczewska, Agnieszka. “Jean-Pierre – The Beating Heart of the Most Dynamic Art Scene”, Luxury Splash of Art, No. 4, 2021, 20–27.pl
    dc.description.referencesKowalczewska, Agnieszka. “Jewellery at fashion is finest”, Luxury Splash of Art, No. 2, 2020, 3–10.pl
    dc.description.referencesKowalczewska, Agnieszka. “I just enjoyed the process of self-ex pression”, Luxury Splash of Art, No. 4, 2021, 82–85pl
    dc.description.referencesKowalczewska, Agnieszka. “Keys to your Soul – Keys that reflects your soul”, Luxury Splash of Art, No. 4, 2021, 52–53.pl
    dc.description.referencesKowalczewska, Agnieszka. “Landscapes of the Soul”, Luxury Splash of Art, No. 8, 2022, 68–79.pl
    dc.description.referencesKowalczewska, Agnieszka. “Painting is like a full day of cooking to create a very special dish…”, Luxury Splash of Art, No. 10, 2022, 56–59.pl
    dc.description.referencesKowalczewska, Agnieszka. “Porcelain Miniature Society”, Luxury Splash of Art, No. 10, 2022, 52–53.pl
    dc.description.referencesKowalczewska, Agnieszka. “Stay in Silence”, Luxury Splash of Art, No. 3, 2020, 38–42.pl
    dc.description.referencesKowalczewska, Agnieszka. “Swimming with Turtles”, Luxury Splash of Art, No. 6, 2021, 90–95.pl
    dc.description.referencesKowalczewska, Agnieszka. “Take only Photos, Leave only Foot prints”, Luxury Splash of Art, No. 10, 2022, 10–13.pl
    dc.description.referencesKowalczewska, Agnieszka. “Tik-Tok Queen of artistic make-up”, Luxury Splash of Art, No. 10, 2022, 3, 6–9.pl
    dc.description.referencesKowalczewska, Agnieszka. “The creation process begins long before I make the first stroke”, Luxury Splash of Art, No. 4, 2021, 66–70.pl
    dc.description.referencesKowalczewska, Agnieszka. “The subject comes suddenly or follows me to the moment of transferring it to the canvas”, Luxury Splash of Art, No. 4, 2021, 56–59.pl
    dc.description.referencesKowalczewska, Agnieszka. “Versatile way of expression”, Luxury Splash of Art, No. 5, 2021, 38–43.pl
    dc.description.referencesKowalczewska, Agnieszka. “Where my focus goes, energy flows”, Luxury Splash of Art, No. 10, 2022, 4–5.pl
    dc.description.referencesKrzyżaniak, Kamila. “A trip with a thrill on the Nile”, Luxury Splash of Art, No. 9, 2022, 46–51.pl
    dc.description.referencesKrzyżaniak, Kamila. “Aesthetics and Art a Necessary part of Medicine?”, Luxury Splash of Art, No. 3, 2020, 21–23.pl
    dc.description.referencesKrzyżaniak, Kamila. “Alice is brave and curious about the world”, Luxury Splash of Art, No. 9, 2022, 64–68.pl
    dc.description.referencesKrzyżaniak, Kamila. “Atelier Saint-Honoré”, Luxury Splash of Art, No. 2, 2020, 32–36.pl
    dc.description.referencesKrzyżaniak, Kamila. “Collagen art of nature”, Luxury Splash of Art, No. 5, 2021, 76–77.pl
    dc.description.referencesKrzyżaniak, Kamila. “Dancing with the lights”, Luxury Splash of Art, No. 5, 2021, 90–95.pl
    dc.description.referencesKrzyżaniak, Kamila. “Deus ex Machina”, Luxury Splash of Art, No. 8, 2022, 44–47.pl
    dc.description.referencesKrzyżaniak, Kamila. “Enchanted Forest – Madeira”, Luxury Splash of Art, No. 10, 2022, 14–20.pl
    dc.description.referencesKrzyżaniak, Kamila. “Girls Talk”, Luxury Splash of Art, No. 8, 2021, 7–11.pl
    dc.description.referencesKrzyżaniak, Kamila. “Into the Wild”, Luxury Splash of Art, No. 5, 2021, 46.pl
    dc.description.referencesKrzyżaniak, Kamila. “Kaiser Tilo”, Luxury Splash of Art, No. 3, 2020, 3–9.pl
    dc.description.referencesKrzyżaniak, Kamila. “Love and Loss”, Luxury Splash of Art, No. 8, 2022, 80–82.pl
    dc.description.referencesKrzyżaniak, Kamila. “Maxim V Art Jewellery”, Luxury Splash of Art, No. 7, 2021, 129–131.pl
    dc.description.referencesKrzyżaniak, Kamila. “Marek Emczek-Olszewski – Photography from intensely minimalist to intensely complex”, Luxury Splash of Art, No. 2, 2020, 26–28.pl
    dc.description.referencesKrzyżaniak, Kamila. “Master of lights and shadows. Johannes Ver meer”, Luxury Splash of Art, No. 8, 2022, 12–13.pl
    dc.description.referencesKrzyżaniak, Kamila. “Russian Magic”, Luxury Splash of Art, No. 6, 2021, 48–55.pl
    dc.description.referencesKrzyżaniak, Kamila. “Sandy Damon in Love with Colours”, Luxury Splash of Art, No. 1, 2020, 22–24.pl
    dc.description.referencesKrzyżaniak, Kamila. “Sex, drugs, Lempicka. Boundary-Breaking fe male iconoclasts of our time”, Luxury Splash of Art, No. 9, 2022, 34–35.pl
    dc.description.referencesKrzyżaniak, Kamila. “The Doll House”, Luxury Splash of Art, No. 5, 2021, 78–84.pl
    dc.description.referencesKrzyżaniak, Kamila. “The Sensuality of Volumetry”, Luxury Splash of Art, No. 9, 2022, 60–63.pl
    dc.description.referencesKrzyżaniak, Kamila. “True Art comes from Ability”, Luxury Splash of Art, No. 3, 2020, 25–28.pl
    dc.description.referencesKrzyżaniak, Kamila. “Violins, Cellos & Mickey Mouse”, Luxury Splash of Art, No. 5, 2021, 96–97.pl
    dc.description.referencesKrzyżaniak, Kamila. “Wolfgang Stiller”, Luxury Splash of Art, No. 2, 2020, 14–18.pl
    dc.description.referencesde Lamarzelle, Muriel. “The Transcendental World of Cubes”, Luxury Splash of Art, No. 7, 2021, 96–99.pl
    dc.description.referencesLaskowska, Luiza. “A Gallery of Contemporary Art BWA in Jelenia Gora”, Luxury Splash of Art, No. 2, 2020, 30–31.pl
    dc.description.references“Lose yourself in an uplifting feeling of joy!”, Luxury Splash of Art, No. 9, 2022, 88–89.pl
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    dc.description.references“Meet the Artists: Michelle Ong”, Luxury Splash of Art, No. 1, 2020, 17.pl
    dc.description.references“Painting has become fashionable”, Luxury Splash of Art, No. 1, 2020, 10.pl
    dc.description.references“Photographies by the Luke Foreman”, Luxury Splash of Art, No. 2, 2020, 3, 25.pl
    dc.description.referencesPochylska, Sławomira. “A dose of truth about diamonds”, Luxury Splash of Art, No. 8, 2022, 42–43.pl
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    dc.description.references“Postcards sent from New York, Paris…”, Luxury Splash of Art, No. 6, 2021, 112–-113.pl
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    dc.description.referencesQuenum, Patrick. “The Funerary and Sacred Art of Ancient Egypt”, Luxury Splash of Art, No. 4, 2021, 4–5, 75.pl
    dc.description.referencesSamie, Marian. “Suroosh and Daena”, Luxury Splash of Art, No. 6, 2021, 96–99.pl
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    dc.description.references“Spread peace through art”, Luxury Splash of Art, No. 10, 2022, 46–47.pl
    dc.description.references“Street art – art revolt or the art of rebellion?”, Luxury Splash of Art, No. 3, 2020, 46–47.pl
    dc.description.references“Symbolism in Egyptian Art”, Luxury Splash of Art, No. 2, 2020, 39.pl
    dc.description.referencesTamborska, Iwona. “The treasure of Tanzania”, Luxury Splash of Art, No. 10, 2022, 44–45.pl
    dc.description.references“The blue city”, Luxury Splash of Art, No. 1, 2020, 19.pl
    dc.description.references“The Creativity and the Love”, Luxury Splash of Art, No. 5, 2021, 85–89.pl
    dc.description.references“The fight goes on… Artists support Women’s Rebellion”, Luxury Splash of Art, No. 2, 2020, 40.pl
    dc.description.references“Unusual Art: Ceramic, Glass Sculpture and Mosaic Horses”, Luxury Splash of Art, No. 10, 2022, 21–26.pl
    dc.description.references“William Kent Galleries Art Dealer or Art Collector?”, Luxury Splash of Art, No. 3, 2020, 45.pl
    dc.description.references“Would you hang it?”, Luxury Splash of Art, No. 3, 2020, 10–12.pl
    dc.description.referenceshttps://cdn.fbsbx.com/v/t59.2708-21/311906123_5884216534935756_1847831090453620195_n.pdf/parydka-portfolio.pdf?_nc_cat=102&ccb=1-7&_nc_sid=-0cab14&_nc_ohc=znmHICA4hCkAX8HgmAI&_nc_ht=cdn.fbsbx.com&oh=03_AdQaJOL65Tp8xhyP77hgz5NL01-UoBjVnmZ7WHaiHvwo0w&oe=6354430D&dl=1 [dostęp: 29.10.2022pl
    dc.description.referenceshttps://szczyptaluksusu.pl//luxury-splash-of-art-inspiruje-dowiedz-sie-wiecej/ [dostęp: 6.01.2023].pl
    dc.description.referenceshttps :// www.eliosediteriale.org/kmila-krzyzaniak/ [dostęp: 26.10.2022].pl
    dc.description.referencesOdważnie łamiąc zasady. Wywiad tygodnia: Kamila Krzyżaniak: https://passionpiece.com/pl/2021/03/02/wywiad-tygodnia-kamila-krzyżaniak/fbclid=IwAR1A0WxbRDttNXnP_ E3KZZRyZZV618L7zqgl_NaRyFCs5X_hZm2wEtsU [dostęp: 22.10.2022].pl
    dc.description.referencesE-mail Kamili Krzyżaniak do Jolanty Chwastyk-Kowalczyk z 27 maja 2022 r.pl
    dc.description.referencesE-mail Kamili Krzyżaniak do Jolanty Chwastyk-Kowalczyk z 2 czerwca 2022 r.pl
    dc.description.referencesE-mail Kamili Krzyżaniak do Jolanty Chwastyk-Kowalczyk z 23 października 2022 r.pl
    dc.description.referencesWywiad z Kamilą Krzyżaniak przeprowadzony przez Jolantę Chwastyk-Kowalczyk w Londynie 26 maja 2022 r.pl
    dc.identifier.eissn2543-7011-
    dc.description.issue2(17)pl
    dc.description.firstpage107pl
    dc.description.lastpage140pl
    dc.identifier.citation2Czasopismo Naukowe Instytutu Studiów Kobiecychpl
    dc.identifier.orcid0000-0002-3463-6432-
    Występuje w kolekcji(ach):Czasopismo Naukowe Instytutu Studiów Kobiecych, 2024, nr 2(17)

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