Проблема художественности документального кино. На материале фильма Анджея Чарнецкого Крысолов

Abstract

The article examines the issue of the relationship between “artistic value” and “documentary” in the film mentioned in the title. The creative reinterpretation of reality, achieved through the purposeful visual organization of the documentary film, is understood as an expression of the director’s authorial position. The author of the article also attempts to identify the aesthetic dominants of A. Charnetsky’s film and demonstrate its semantic significance, which is conveyed through the metaphorization of the reality captured on film.