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http://hdl.handle.net/11320/12712
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Pole DC | Wartość | Język |
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dc.contributor.author | Kliś, Agnieszka | - |
dc.date.accessioned | 2022-03-02T09:52:17Z | - |
dc.date.available | 2022-03-02T09:52:17Z | - |
dc.date.issued | 2021 | - |
dc.identifier.citation | Crossroads. A Journal of English Studies 34 (3/2021), pp. 27-45 | pl |
dc.identifier.uri | http://hdl.handle.net/11320/12712 | - |
dc.description.abstract | The paper offers an analysis of An Embarrassing Position, the only extant and not very well-known theatre play by Kate Chopin. Even though it is only one-act-long, the play does not only contribute to the greatness of the artistry of the author, but it also subtly and wittily raises the question of societal imbalance and women’s right to self-deciding. Hence, the aim of this paper is both to expose the theatricality of women’s voice embedded in the play validating women’s stance and foretelling women’s emancipation, and to bring the play to the broader attention of academics as a unique, still underexamined, work of Chopin. In order to establish this light comedy play within a serious domain of women’s rights struggle, as well as to inscribe this short piece of work into the long list of Chopin’s writings which are pro feminist in their overtone, the paper uses hermeneutic analysis with elements of Derrida’s deconstructionist theory of différance, and employs Carl Jung’s idea of synchronicity. Derrida’s deconstruction serves to uncover the inner inconsistencies residing within the humorous lines of the play, whereas synchronicity provides the scaffold for the play’s events that bonds the analysis elements into one meaningful whole. | pl |
dc.language.iso | en | pl |
dc.publisher | The University of Bialystok | pl |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Na tych samych warunkach 4.0 Międzynarodowe | - |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | - |
dc.subject | feminist discourse | pl |
dc.subject | the cult of domesticity | pl |
dc.subject | deconstruction | pl |
dc.subject | différance | pl |
dc.subject | synchronicity | pl |
dc.title | Theatricality of women’s voice: An Embarrassing Position by Kate Chopin | pl |
dc.type | Article | pl |
dc.rights.holder | Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) | pl |
dc.identifier.doi | 10.15290/CR.2021.34.3.03 | - |
dc.description.Email | aklis@ath.bielsko.pl | pl |
dc.description.Biographicalnote | Ms. Agnieszka Kliś works at ATH University of Bielsko-Biała (Faculty of Humanities and Social Sciences, Department of Neophilology: English Studies). Her research interests are in the areas of Translation Studies, particularly regarding the specificity of translation as intercultural communication, and Feminist Studies, particularly feminist literary criticism. She focuses her research on the works of Kate Chopin to offer new modes of interpreting them and to demonstrate the writer’s uniqueness when it comes to the expression of female subjectivity and feminine experience. | pl |
dc.description.Affiliation | University of Bielsko-Biała, Poland | pl |
dc.description.references | Burzyńska, A. 2006. Anty-Teoria Literatury. Kraków: Universitas. | pl |
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dc.description.references | Cirlot, J.E. 2001. A Dictionary of Symbols. London: Routledge. | pl |
dc.description.references | Cambray, J. 2009. Synchronicity Nature&Psyche in an Interconnected Universe. Texas: A&M University Press College Station. | pl |
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dc.description.references | Derrida, J. 1982. Derrida, “Différance”, Margins of Philosophy, trans. Alan Bass Chicago: University of Chicago Press. | pl |
dc.description.references | Faber, Mel. D. 1998. Synchronicity: C.G. Jung, Psychoanalysis, and Religion, Praeger Publishers. | pl |
dc.description.references | Gibbs, A.W. 2010. Demystifying Meaningful Coincidences (Synchronicities) The Evolving Self, the Personal Unconscious, and the Creative Process. Jason Aronson: Lanham/Boulder/NY/Toronto/Plymouth UK. | pl |
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dc.description.references | Jung, C.G. 1973. Synchronicity: An Acausal Connecting Principle, from Vol. 8. of the Collected Works. Princeton: Princeton University Press. | pl |
dc.description.references | Jung, C.G. 2005. Modern man in Search of a Soul. trans. Dwell W.S. Baynes C. London and New York: Routledge. | pl |
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dc.description.references | Chopin, K. 1885. An Embarrassing Position. https://mohistory.org/collections/item/resource:175838?fullscreen=1&view=zoom. Accessed June 2020. | pl |
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dc.description.references | https://www.britannica.com/art/comedy-of-manners | pl |
dc.description.references | http://www.danshoremusic.com/an-embarrassing-position | pl |
dc.description.references | https://www.etymonline.com/search?q=position | pl |
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dc.description.references | https://www.psychologytoday.com/us/blog/connecting-coincidence/201703/energizing-jungs-ideas-about-synchronicity | pl |
dc.description.references | https://www.yourdictionary.com/snuggery | pl |
dc.description.references | https://frithluton.com/articles/synchronicity-example-4/ | pl |
dc.description.references | https://mohistory.org/collections/item/resource:175838?fullscreen=1&view=zoom | pl |
dc.description.references | https://link.springer.com/chapter/10.1007/978-94-009-2021-7_21 | pl |
dc.identifier.eissn | 2300-6250 | - |
dc.description.issue | 34 (3/2021) | pl |
dc.description.firstpage | 27 | pl |
dc.description.lastpage | 45 | pl |
dc.identifier.citation2 | Crossroads. A Journal of English Studies | pl |
dc.identifier.orcid | 0000-0001-9872-9497 | - |
Występuje w kolekcji(ach): | Crossroads. A Journal of English Studies, 2021, Issue 34 |
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Crossroads_34_2021_A_Klis_Theatricality_of_womens_voice.pdf | 763,61 kB | Adobe PDF | Otwórz |
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