Grzeszne myśli, grzeszne czyny. Obraz zmysłowości w Lalce Bolesława Prusa

Abstract

The female-male space is marked by eroticism in which sensuality and sexuality are not identical. That eroticism describes the “sensual events”, and “The Doll” is the monograph of them. “Sensual events” include the ground of the five senses, among which the eyesight has the lead. The attractiveness begins with looking that goes from semantics of clothing to the *voyeurism. On the boundaries of the senses there is a metaphor of the world as a confectionery where a woman is a cake – prey. Thus a woman is for tasting, occasionally for kissing. If you speak with her, it is a frivolously conversation. The theme of love becomes a kind of linguistic game. In the space of a body the femininity is sensually erotic (Izabela) or it emanates the intellectual eroticism (Wąsowska). In this context, using the potential of “sensual events” causes that “The Doll” is full of a discreet charm of eroticism.