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http://hdl.handle.net/11320/9332
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Pole DC | Wartość | Język |
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dc.contributor.author | Głębocki, Zdzisław | - |
dc.date.accessioned | 2020-07-24T12:21:17Z | - |
dc.date.available | 2020-07-24T12:21:17Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Białostockie Studia Literaturoznawcze, nr 15, 2019, s. 207-220 | pl |
dc.identifier.issn | 2082-9701 | - |
dc.identifier.uri | http://hdl.handle.net/11320/9332 | - |
dc.description.abstract | The article addresses the question of African inspirations in the works of African-American artists. In the poem Heritage Countee Cullen asks: “What is Africa to me?”. The question was also formulated by African-American intellectuals, social activists, and artists, in particular those associated with the Harlem Renaissance, becoming an important metaphor in formulating racial and artistic identity. The article traces this quest in selected literary works which echo the Dark Continent and supplements the discussion with examples of visual arts from this period inspired by Africa. | pl |
dc.language.iso | pl | pl |
dc.publisher | Wydawnictwo Uniwersytetu w Białymstoku | pl |
dc.subject | Harlem Renaissance | pl |
dc.subject | New Negro | pl |
dc.subject | African-American identity | pl |
dc.subject | literature | pl |
dc.subject | visual arts | pl |
dc.title | „Czym jest dla mnie Afryka?” Renesans harlemowski w poszukiwaniu tożsamości | pl |
dc.title.alternative | “What is Africa to Me?”: Harlem Renaissance Searches for Identity | pl |
dc.type | Article | pl |
dc.identifier.doi | 10.15290/bsl.2019.15.13 | - |
dc.description.Email | glebocki@uwb.edu.pl | pl |
dc.description.Biographicalnote | Zdzisław Głębocki, dr, adiunkt w Kolegium Literaturoznawstwa Uniwersytetu w Białymstoku. Jego zainteresowania naukowe obejmują szeroko pojętą antropologię kulturową ze szczególnym uwzględnieniem kultury amerykańskiej i kultury Afroamerykanów. W ostatnich badaniach koncentruje się na kulturowych aspektach wirtualności i obecności Polonii amerykańskiej i innych diaspor w cyberprzestrzeni. | pl |
dc.description.Affiliation | Kolegium Literaturoznawstwa, Wydział Filologiczny, Uniwersytet w Białymstoku | pl |
dc.description.references | Barksdale Richard K. (1977), Langston Hughes: The Poet and His Critics, Chicago: American Library Association. | pl |
dc.description.references | Brown Fahamisha (1999), Performing the Word: African American Poetry as Vernacular Culture, New Brunswick: Rutgers University Press. | pl |
dc.description.references | Du Bois William Edward Burghardt (2007), Dusk of Dawn. An Essay Toward an Autobiography of a Race Concept, Oxford: Oxford University Press. | pl |
dc.description.references | Faith Michel (2001), The Syncopated Africa: Constructions of Origins in the Harlem Renaissance (Literature, Music, Visual Arts), w: Temples for Tomorrow. Looking Back at the Harlem Renaissance, eds. G. Fabre, M. Faith, Bloomington: Indiana University Press, s. 51–72. | pl |
dc.description.references | Frydman Jason (2009), Zora Neale Hurston, Biographical Criticism, and African Diasporic Vernacular Culture, „Melus”, Vol. 34 (4), s. 99–118. | pl |
dc.description.references | Garvey Amy Jacques [ed.], (1923), Philosophy and Opinions of Marcus Garvey, t. 1, New York: Universal Publishing House New York City. | pl |
dc.description.references | Gilroy Paul (1993), The Black Atlantic: Modernity and Double Consciousness, Cambridge: Harvard University Press. | pl |
dc.description.references | Gruesser Cullen (2000), Black on Black: Twentieth-Century African American Writing about Africa, Lexington: University Press of Kentucky. | pl |
dc.description.references | Holloway Jonathan Scott (2002), What is America To Me? Defining Black Life Through The Motherland, „Reviews in American History”, Vol. 31, (1), s. 93–100. | pl |
dc.description.references | Hughes Langston (1926), The Negro Artist and the Racial Mountain, „The Nation”, Vol. 122, 23 June, s. 692–694. | pl |
dc.description.references | Hughes Langston (1940), The Big Sea, New York: Alfred A. Knopf. | pl |
dc.description.references | Hughes Langston (2016), Letters from Langston: From the Harlem Renaissance to the Red Scare and Beyond, Berkerley: University of California Press. | pl |
dc.description.references | Hurston Zora Neale (1976), Their Eyes Were Watching God, 1937, Urbana: University of Illinois Press. | pl |
dc.description.references | Hutchinson George (1997), The Harlem Renaissance in Black and White, Cambridge: Harvard University Press. | pl |
dc.description.references | Johnson Claudia Durst (2013), Race in the Poetry of Langston Hughes, London: Greenhaven Press. | pl |
dc.description.references | Locke Alain (1992), The Legacy of Ancestral Arts, w: The New Negro. Voices of the Harlem Renaissance, ed. A. Locke, New York: Atheneum, s. 254–267. | pl |
dc.description.references | Meriwether James H. (2002), Proudly We Can Be Africans: Black Americans and Africa, 1935–1961, Chapel Hill: University of North Carolina Press. | pl |
dc.description.references | Obiwu (2007), The Pan-African Brotherhood of Langston Hughes and Nnamdi Azikiwe, „Dialectical Anthropology”, Vol. 31, (1/3), s. 143–165. | pl |
dc.description.references | Schomburg Arthur A. (1992), The Negro Digs Up His Past, w: The New Negro. Voices of the Harlem Renaissance, ed. A. Locke, New York: Atheneum, s. 231–37. | pl |
dc.description.references | Smethurst Edward James (1999), The New Red Negro: The Literary Left and African American Poetry, 1930–1946, Oxford/New York: Oxford University Press. | pl |
dc.description.references | Smith Raymond (1997), Langston Hughes: Evolution of the Poetic Persona, w: The Harlem Renaissance Re-Examined, eds. V.A. Kramer, R.A. Russ, Troy: Whitson Publishing Company, s. 259–273. | pl |
dc.description.references | Ullendorff Edward (1989), Ethiopia and the Bible, London: British Academy and the Museums, s. 5–14. | pl |
dc.description.references | Westover Jeff (2002), Africa/America. Fragmentation and Diaspora in the Work of Langston Hughes, „Callaloo”, Vol. 25 (4), s. 1207–1223. | pl |
dc.description.number | 15 | - |
dc.description.firstpage | 207 | pl |
dc.description.lastpage | 220 | pl |
dc.identifier.citation2 | Białostockie Studia Literaturoznawcze | pl |
dc.identifier.orcid | 0000-0001-5472-2875 | - |
Występuje w kolekcji(ach): | Artykuły naukowe (WFil) Białostockie Studia Literaturoznawcze, 2019, nr 15 |
Pliki w tej pozycji:
Plik | Opis | Rozmiar | Format | |
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BSL_15_2019_Z_Glebocki_Czym_jest_dla_mnie_Afryka.pdf | 309,36 kB | Adobe PDF | Otwórz |
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