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http://hdl.handle.net/11320/9212Pełny rekord metadanych
| Pole DC | Wartość | Język |
|---|---|---|
| dc.contributor.author | Guzowska, Dorota | - |
| dc.date.accessioned | 2020-06-09T07:12:57Z | - |
| dc.date.available | 2020-06-09T07:12:57Z | - |
| dc.date.issued | 2020 | - |
| dc.identifier.citation | Crossroads. A Journal of English Studies 28 (1/2020), pp. 8-20 | pl |
| dc.identifier.uri | http://hdl.handle.net/11320/9212 | - |
| dc.description.abstract | Mark Mason’s book about London documents the author’s urban odyssey – his ten London walks undertaken with the aim of finding the capital’s soul. The narrative key to Mason’s description of London is geographical space. He walked the entire length of the Tube – overground, finding the shortest routes between each station. My paper is a proposition of negotiated reading of this journey. Instead of following the author to the sights along his walking routes, I focus my attention on his chance meetings with the people of London. Mason defines London as “the best human zoo”. I explore conceptual similarities between his metaphorical human zoo and real-life 19th and 20th-century ethnic exhibitions. | pl |
| dc.language.iso | en | pl |
| dc.publisher | The University of Bialystok | pl |
| dc.rights | Attribution-NonCommercial-ShareAlike 4.0 International | * |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/4.0/ | * |
| dc.subject | human zoo | pl |
| dc.subject | walker | pl |
| dc.subject | the Tube | pl |
| dc.subject | Mark Mason | pl |
| dc.subject | metaphor | pl |
| dc.title | The London human zoo in Mark Mason’s Walk the Lines. The London Underground, Overground | pl |
| dc.type | Article | pl |
| dc.identifier.doi | 10.15290/cr.2020.28.1.01 | - |
| dc.description.Email | guzowska@uwb.edu.pl | pl |
| dc.description.Biographicalnote | Dorota Guzowska is a Lecturer in British Studies and British History at the University of Bialystok. Her research is focused on the concepts of fatherhood and emotional communities in early modern England. She has published on autobiographical writing, parental identity and aspects of seventeenth-century medical care. Her interests include also: class in contemporary Britain and hegemonic discourse. | pl |
| dc.description.Affiliation | University of Białystok | pl |
| dc.description.references | Abbattista, G.& Iannuzzi G. 2016. World expositions as time machines: Two views of the visual construction of time between anthropology and futurama. World History Connected 13.3, 48 pars. https://worldhistoryconnected.press.uillinois.edu/13.3/forum_01_abbattista.html (20 October 2019). | pl |
| dc.description.references | Ackroyd, P. 2000. London. The Biography. London: Vintage. | pl |
| dc.description.references | Andreassen, R. 2015. Human Exhibitions. Race, Gender and Sexuality in Ethnic Displays. Furnham: Ashgate Publishing Ltd. | pl |
| dc.description.references | Baudelaire, Ch. 1970. Paris Spleen, trans. L. Varèse. New York: New Directions Books. | pl |
| dc.description.references | Blanchard, P. 2011. Foreword. Human Zoos: The Invention of the Savage. Exhibition Guide, Musée du Quai Branly: 5. | pl |
| dc.description.references | Corbey, R. 1993. Ethnographic showcases, 1870-1930. Cultural Anthropology. August 1993: 338-369. | pl |
| dc.description.references | Durbach, N. 2008. London. Capital of exotic exhibitions. In: P. Blanchard et al. (eds.), Human Zoos. Science and Spectacle in the Age of Colonial Empires, 81-88. Liverpool: Liverpool University Press. | pl |
| dc.description.references | Fabian, J. 1983. Time and the Other. How Anthropology Makes its Object. New York: Columbia University Press. | pl |
| dc.description.references | Foucault, M. 1994. The Order of Things: An Archaeology of the Human Sciences. New York: Vintage Books. | pl |
| dc.description.references | Garland-Thomson, R. 2008. From wonder to error: Monsters from antiquity to modernity. In: P. Blanchard et al. (eds.), Human Zoos. Science and Spectacle in the Age of Colonial Empires, 52-61. Liverpool: Liverpool University Press. | pl |
| dc.description.references | Kaplan, A. 1997. Looking for the Other: Feminism, Film, and the Imperial Gaze. New York: Routledge. | pl |
| dc.description.references | Kaas, S. 2018. The Last Human Zoo https://www.youtube.com/watch?v=V9T5NQFyOls (20 October 2019). | pl |
| dc.description.references | Knox, K. E. 2016. Race on Display in 20th- and 21st-Century France. Liverpool: Liverpool University Press. | pl |
| dc.description.references | Mason, M. 2015. Mail Obsession. A Journey Round Britain by Postcode. London: Weidenfeld & Nicolson. | pl |
| dc.description.references | Mason, M. 2013a. Move Along, Please. Land’s End to John O’Groats by Local Bus. London: Random House. | pl |
| dc.description.references | Mason, M. 2017. Question Time. A Journey Round Britain’s Quizzes. London: Weidenfeld & Nicolson. | pl |
| dc.description.references | Mason, M. 2013b. Walk the Lines. The London Underground, Overground. London: Arrow Books. | pl |
| dc.description.references | Morris, D. 1996 [1969]. The Human Zoo. New York-Tokyo-London: Kodansha International. | pl |
| dc.description.references | Pratt, M. L. 1992. Imperial Eyes: Travel Writing and Transculturation. London: Routledge. | pl |
| dc.description.references | Sánchez-Gómez, Luis A. 2013. Human zoos or ethnic shows? Essence and contingency in living ethnological exhibitions. Culture and History Digital Journal December 2(2): 1-25. | pl |
| dc.description.references | Sekula, A. 1986. The body and the archive. October 39: 3-64. | pl |
| dc.description.references | Sinclair, I. 2003a. Lights Out for the Territory. London: Penguin Books. | pl |
| dc.description.references | Sinclair, I. 2003b. London Orbital. A Walk Around the M25. London: Penguin Books. | pl |
| dc.description.references | Sinclair, I. 2016. London Overground: A Day’s Walk Around the Ginger Line. London: Penguin Books. | pl |
| dc.description.references | Sinclair, I. 2017. The L ast L ondon: True Fictions f rom an Unreal City. London: Oneworld Publications. | pl |
| dc.description.references | Thode-Arora, H. 2008. Hagenbeck’s European tours: The development of the human zoo. In: P. Blanchard et al. (eds.), Human Zoos. Science and Spectacle in the Age of Colonial Empires, 165-173. Liverpool: Liverpool University Press. | pl |
| dc.description.references | Tour of the Exhibition. 2011. Human Zoos: T he Invention of the Savage. Exhibition Guide, Musée du Quai Branly, 7-14. | pl |
| dc.description.references | Woolf, V. 1930. Street Haunting, San Francisco: The Westgate Press. | pl |
| dc.identifier.eissn | 2300-6250 | - |
| dc.description.issue | 28 (1/2020) | - |
| dc.description.firstpage | 8 | pl |
| dc.description.lastpage | 20 | pl |
| dc.identifier.citation2 | Crossroads. A Journal of English Studies | pl |
| dc.identifier.orcid | 0000-0001-8683-8215 | - |
| Występuje w kolekcji(ach): | Artykuły naukowe (WFil) Crossroads. A Journal of English Studies, 2020, Issue 28 | |
Pliki w tej pozycji:
| Plik | Opis | Rozmiar | Format | |
|---|---|---|---|---|
| Crossroads_28_2020_D_Guzowska_The_London_human_zoo.pdf | 237,04 kB | Adobe PDF | Otwórz |
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