REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
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dc.contributor.authorFeldman-Kołodziejuk, Ewelina-
dc.date.accessioned2019-11-22T09:40:31Z-
dc.date.available2019-11-22T09:40:31Z-
dc.date.issued2018-
dc.identifier.citationIdea. Studia nad strukturą i rozwojem pojęć filozoficznych, vol. 30/2, 2018, s. 137-154pl
dc.identifier.issn0860-4487-
dc.identifier.urihttp://hdl.handle.net/11320/8618-
dc.description.abstractIn her fifth dystopian novel, The Heart Goes Last, Margaret Atwood portrays North America in the not so far future, in the wake of a global economic crisis. Parts of the country are in the state of complete chaos, subjected to a ruthless gang rule. The solution to the system's breakdown comes in the form of the socio-economic experiment that requires from its participants relinquishing their freedom as every other month they will spend in prison. The seemingly preposterous experimental project enables Atwood to explore principal questions about the limits of our freedom in the times of an economic crisis or a neoliberal model of economy. The satirical form the novel takes, especially towards its end, helps the writer to decry people's over-willingness to give away their freedom and civil liberties in exchange for happy, uninterrupted consumption. The following article aims to demonstrate that the notion of freedom and free will permeate The Heart Goes Last, which is, in that respect, a politically and socially engaged satire.pl
dc.language.isoenpl
dc.publisherWydawnictwo Uniwersytetu w Białymstokupl
dc.subjectfreedompl
dc.subjectfree willpl
dc.subjectdystopiapl
dc.subjecteconomic crisispl
dc.subjectpornographypl
dc.subjectMargaret Atwoodpl
dc.titleOn freedom in the times of Economic Crisis – A Close Reading Of Margaret Atwood's The Heart Goes Lastpl
dc.typeArticlepl
dc.description.Biographicalnotemgr Ewelina Feldman-Kołodziejuk is a teacher at the Institute of Modern Languages, at the University of Białystok, where she runs practical grammar and General English courses. She is also a doctoral student working on her dissertation devoted to the fiction of Margaret Atwood. Her primary area of academic interest is North American literature and culture. She is the author of several articles that oscillate around the themes of motherhood and mother-daughter relations. In 2015, she was awarded a scholarship from the Corbridge Trust in Cambridge.pl
dc.description.referencesAtwood, Margaret. Payback: Debt and the Shadow Side of Wealth. London and New York: Bloomsbury, 2008. Print.pl
dc.description.referencesAtwood, Margaret. The Heart Goes Last. London and New York: Bloomsbury, 2015. Print.pl
dc.description.referencesAtwood, Margaret. “Margaret Atwood: we are double-plus unfree.” The Guardian (18 Sept. 2015). Web. 29 Sept. 2015. <https://www.theguardian.com/books/2015/sep/18/margaretatwood-we-are-double-plus-unfree>pl
dc.description.referencesAtwood, Margaret. “What Leadership Looks Like.” Canadian Business 88.10/11 (2015): 21–22. Print.pl
dc.description.referencesDe Man, Paul. Allegories of Reading. New Haven and London: Yale University Press, 1979. Print.pl
dc.description.referencesFriedman, Lawrence M. The Horizontal Society. New Haven: Yale University Press, 1999. Print.pl
dc.description.referencesFromm, Erich. To Have or to Be? New York and London: Continuum, 2008. Printpl
dc.description.referencesGilbert, Sophie. “Unliberated Sex.” Atlantic, 316 (4) (2015): 52–54. Print.pl
dc.description.referencesHowells, Coral Ann. Margaret Atwood. Houndmills and New York: Palgrave Macmillan, 2005. Print.pl
dc.description.referencesMiłosz, Czesław. The Captive Mind. New York: Vintage Books, 1955. Print.pl
dc.description.referencesThoreau, Henry David. Walden. The Project Gutenberg, 1995. Web. 1 Sept. 2016. <http://www.gutenberg.org/files/205/205-h/205-h.htm#linkW2>pl
dc.description.volume30/2-
dc.description.firstpage137pl
dc.description.lastpage154pl
dc.identifier.citation2Idea. Studia nad strukturą i rozwojem pojęć filozoficznychpl
Występuje w kolekcji(ach):Artykuły naukowe (WFil)
Idea. Studia nad strukturą i rozwojem pojęć filozoficznych, 2018, XXX/2

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