REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
UwB

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dc.contributor.authorWildowicz, Joanna-
dc.date.accessioned2019-06-11T11:38:40Z-
dc.date.available2019-06-11T11:38:40Z-
dc.date.issued2018-
dc.identifier.citationPogranicze. Studia Społeczne, T. 34, 2018, s. 101-111pl
dc.identifier.issn1230-2392-
dc.identifier.urihttp://hdl.handle.net/11320/7968-
dc.description.abstractCormac McCarthy, one of the greatest contemporary novelists in America, glorifies the male world, giving women minor importance. In one interview, after being asked about the absence of women in his works, he replied “women are tough (...). I don’t think men understand women. They find them very mysterious”. The word “mysterious” may have a negative connotation and would refer to something dangerous, scary, suspicious. After studying McCarthy’s works, it is hard not to associate the writer with an unfavourable, indeed, misogynistic tendency to mystify women and female sexuality. Not only does he characterize women as degraded characters, often relegated to insignificant duties, but presents them as symbols of trouble, misfortune, death. The novelist praises the male bond, whereas the female-male relationship perishes. This essay contextualizes his male dominance over female characters, points out the diminished role of women, as well as outlining several recurring patterns of portraying them as bad mothers, subservient characters, whores, and their association with danger and death.pl
dc.language.isoenpl
dc.publisherWydawnictwo Uniwersytetu w Białymstokupl
dc.subjectCormac McCarthypl
dc.subjectdominancepl
dc.subjectfemale characterspl
dc.subjectmarginalizationpl
dc.subjectmisogynypl
dc.titleDiscredited Female Characters, or “Gone With the Women”. A Descriptive Essay of Marginalized Femininity in Cormac McCarthy’s Selected Novelspl
dc.typeArticlepl
dc.identifier.doi10.15290/pss.2018.34.06-
dc.description.AffiliationUniversity of Białystokpl
dc.description.referencesArnold E. T. (1999), Perspectives on Cormac McCarthy, Jackson, UP of Mississippi.pl
dc.description.referencesBradfield S. (1993), When The Mystery is That There is No Mystery, “Independent”, 17.04.1993, https://www.independent.co.uk/arts-entertainment/books/book-review-when-the-mystery-is-that-there-is-no-mystery-all-the-pretty-horses-cormac-mccarthy-1455726.html, [25.05.2016].pl
dc.description.referencesFisher-Wirth A. (2002), Abjection and The Feminine in “Outer Dark”, Albuquerque, University of New Mexico Publishing.pl
dc.description.referencesHage E. (2010), Cormac McCarthy. A Literary Companion, Jefferson, North Carolina, McFarland & Company, Inc., Publishers.pl
dc.description.referencesHass R. (1994), Travels with a She-Wolf, “The New York Times on The Web”, 12.07.1994, http://movies2.nytimes.com/books/98/05/17/specials/mccarthy-crossing.html, [04.05.2016].pl
dc.description.referencesKristeva J. (1982), The Powers of Horror: An Essay on Abjection, New York, Columbia UP.pl
dc.description.referencesLuce D. C. (2009), Reading the World: Cormac McCarthy’s Tennessee Period, Columbia, University of South Carolina Publishing.pl
dc.description.referencesMcCarthy C. (1965) The Orchard Keeper, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1968) Outer Dark, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1973) Child of God, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1985) Blood Meridian: Or the Evening Redness in the West, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1989) Suttree, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1992) All the Pretty Horses, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1994) The Crossing, New York, Vintage.pl
dc.description.referencesMcCarthy C. (1998) Cities of the Plain, New York, Vintage.pl
dc.description.referencesMcCarthy C. (2005) No Country for Old Men, New York, Vintage.pl
dc.description.referencesMcCarthy C. (2006) The Road, New York, Vintage.pl
dc.description.referencesSullivan N. (2000), The Evolution of the Dead Girlfriend Motif in “Outer Dark” and “Child of God”, [in:] R. Wallach (ed.), Cormac McCarthy: Myth, Legend, Dust, Manchester, Manchester UP: 68-77.pl
dc.description.referencesSullivan N. (2001), Boys will be Boys, Girls will be Gone: The Circuit of Male Desire in Cormac McCarthy’s Border Trilogy, [in:] E.T. Arnold, D.C. Luce (eds.), A Cormac McCarthy Companion: The Border Trilogy, Jackson, UP of Mississippi: 228-252.pl
dc.description.referencesWinfrey O. (2007), Oprah Winfrey Show, ABC, 06.06.2007.pl
dc.description.volume34-
dc.description.firstpage101pl
dc.description.lastpage111pl
dc.identifier.citation2Pogranicze. Studia Społecznepl
Występuje w kolekcji(ach):Artykuły naukowe (SPNJO)
Pogranicze. Studia Społeczne, 2018, tom XXXIV

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