REPOZYTORIUM UNIWERSYTETU
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Pole DCWartośćJęzyk
dc.contributor.authorSawczuk, Tomasz-
dc.date.accessioned2017-11-27T13:19:05Z-
dc.date.available2017-11-27T13:19:05Z-
dc.date.issued2016-
dc.identifier.citationCrossroads. A Journal of English Studies 15 (4/2016), pp. 71-81pl
dc.identifier.urihttp://hdl.handle.net/11320/6021-
dc.description.abstractSimilarly to rock music, the rock memoir has long been considered a male genre by both the general public and publishers. It might well be claimed that throughout the years there have been many seminal female rock performers, yet only a few of them gained well deserved recognition and engaged the minds of wider audiences. The history of rock had been predominantly a (his)story until 2012 and the publication of Patti Smith’s Just Kids, a female rock memoir which paved the way for many other women thus far silenced by the male-oriented genre. This paper seeks to delve into some of the female rock narratives in order to analyze the ways in which their authors construct their stories and their authorial selves. It also points to those territories of the music industry and the rock memoir which female performers strive to enrich or reclaim by the acts of writing and performing.pl
dc.language.isoenpl
dc.publisherThe University of Bialystokpl
dc.subjectfemale rock memoirpl
dc.subjectfeminismpl
dc.subjectlife writingpl
dc.subjectperformancepl
dc.subjectpopular culturepl
dc.title“I’ve been crawling up so long on your stairway to heaven”: The rise of the female rock memoirpl
dc.typeArticlepl
dc.identifier.doi10.15290/cr.2016.15.4.06-
dc.description.BiographicalnoteTomasz Sawczuk holds a PhD in literary studies and teaches at the Institute of Modern Languages, University of Białystok, Poland. He has published articles on American literature, especially Beat Generation writers, and co-edited Visuality and Vision in American Literature (2014). His doctoral dissertation establishes the links between the works of Jack Kerouac and Lacanian psychoanalysis.pl
dc.description.AffiliationUniversity of Białystokpl
dc.description.referencesBrownstein, Carrie. 2015. Hunger Makes Me a Modern Girl: A Memoir [ebook]. New York: Riverhead Books.pl
dc.description.referencesChodorow, Nancy. 1978. The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender. Berkeley and Los Angeles: University of California Press.pl
dc.description.referencesColvin, Benie Bruner. 2008. Passing the Story: A Study of Personal Memoirs – Letters, Recipes, and Quilts. Doctoral dissertation. Indiana, PA: Indiana University of Pennsylvania.pl
dc.description.referencesCouser, G. Thomas. 2012. Memoir: An Introduction. New York: Oxford University Press.pl
dc.description.referencesGordon, Kim. 2015. Girl in a Band: A Memoir [ebook]. New York: HarperCollins Publishers.pl
dc.description.referencesMcCue, Jennifer Anne. 2014. “Empowering the Female Voice: Interdisciplinarity, Feminism, and the Memoir.” Journal of Integrated Studies 5.1. 10 Jun. 2017. http://jis.athabascau.ca/index.php/jis/article/view/140/152pl
dc.description.referencesO’Brien, Lucy. 2016. “I’m With the Band: Redefining Young Feminism.” Voicing Girlhood in Popular Music: Performance, Authority, Authenticity. Ed. Jacqueline Warwick and Allison Adrian. New York: Routledge, 15-36.pl
dc.description.referencesNegus, Keith. 2017. “The Gendered Narratives of Nobodies and Somebodies in the Popular Music Economy.” The Routledge Research Companion to Popular Music and Gender. Ed. Stan Hawkins. New York: Routledge, 152-165.pl
dc.description.referencesPersonal Narratives Group, ed. 1989. Interpreting Women’s Lives: Feminist Theory and Personal Narratives. Bloomington: Indiana University Press.pl
dc.description.referencesShumway, David R. 2014. Rock Stars: The Making of Musical Icons from Elvis to Springsteen. Baltimore: John Hopkins University Press.pl
dc.description.referencesSleater-Kinney. 2010. “#1 Must Have.” Portland: Kill Rock Stars.pl
dc.description.referencesStart, Brix Smith. 2016. The Rise, the Fall, and the Rise [ebook]. London: Faber & Faber.pl
dc.description.referencesWachowski, Jacek. 2011. Performans. Gdańsk: słowo/obraz terytoria.pl
dc.description.referencesWarwick, Jacqueline and Allison Adrian. 2016. “Introduction.” Voicing Girlhood in Popular Music: Performance, Authority, Authenticity. Ed. Jacqueline Warwick and Allison Adrian. New York: Routledge, 1-11.pl
dc.identifier.eissn2300-6250-
dc.description.issue15 (4/2016)-
dc.description.firstpage71pl
dc.description.lastpage81pl
dc.identifier.citation2Crossroads. A Journal of English Studiespl
Występuje w kolekcji(ach):Artykuły naukowe (WFil)
Crossroads. A Journal of English Studies, 2016, Issue 15

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