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dc.contributor.authorShpylova-Saeed, Nataliya-
dc.date.accessioned2017-08-10T09:32:24Z-
dc.date.available2017-08-10T09:32:24Z-
dc.date.issued2016-
dc.identifier.citationCrossroads. A Journal of English Studies 13 (2/2016), pp. 54-64pl
dc.identifier.issn2300-6250-
dc.identifier.urihttp://hdl.handle.net/11320/5793-
dc.description.abstractFord Madox Ford’s The Good Soldier and Leo Tolstoy’s Anna Karenina establish a literary and cultural dialogue through the exploration of the individual’s private space. The two writers are undoubtedly intrigued by a fluid nature of the individual: marriage appears to reveal inner conflicts, doubts, anxieties, as well as longing for happiness. Although pursuing different agendas when indulgingly devising sentimental love stories and outrageous adulteries, Ford and Tolstoy echo each other when delivering their vision of self and other. This essay explores the topos of marriage as an element that amplifies the textual double-coding and reveals ethic and aesthetic values Ford and Tolstoy communicate.pl
dc.language.isoenpl
dc.publisherThe University of Bialystokpl
dc.subjectmarriagepl
dc.subjectfluiditypl
dc.subjectchangeabilitypl
dc.subjectanxietypl
dc.subjectuncertaintypl
dc.subjectdoubtpl
dc.subjectsinceritypl
dc.titleUnderstanding Self and Others: Marriage Scenarios in Ford Madox Ford’s The Good Soldier and Leo Tolstoy’s Anna Kareninapl
dc.typeArticlepl
dc.identifier.doi10.15290/cr.2016.13.2.05-
dc.description.Emailnataliya.shpylova-saeed@lyndonstate.edupl
dc.description.BiographicalnoteNataliya Shpylova-Saeed is a graduate student at Indiana University (Bloomington, USA), where she studies Slavic Literatures and Cultures. Her research interests include Ukrainian-Russian literary relations, bilingual writing, Soviet literature and culture, American literature, transculturalism.pl
dc.description.AffiliationIndiana University Bloomingtonpl
dc.description.referencesBiriukov, Pavel I. 2000. Biographiia L.N. Tolsotogo. Moskva: Algoritm.pl
dc.description.referencesChernyshevsky, Nikolay G. 1947. Detstvo i otrochestvo. Sochinenie grafa L.N. Tolstogo. In: N.G. Chernyshevsky, Polnoe sobranie sochineniy, Volume 3, 421-43. Moskva: Goslitizdat.pl
dc.description.referencesCreed, Walter G. 1980. The Good Soldier: Knowing and Judging. ProQuest Dissertations & Theses Global: 00138339. 20 Feb. 2015.pl
dc.description.referencesDe Angelis, Rose. 2007. Narrative Triangulations: Truth, Identity, and Desire in Ford Madox Ford’s The Good Soldier. English Studies: A Journal of English Language and Literature 88.4. 425-46.pl
dc.description.referencesDeCoste, Damon Marcel. 2007. ‘A Frank Expression of Personality’? Sentimentality, Silence And Early Modernist Aesthetics in The Good Soldier. Journal of Modern Literature, vol. 31, no.1. 101-23.pl
dc.description.referencesFlanagan, Anne Marie. 1999. Between Anger and Irony: Representations of Women in the Work of Ford Madox Ford. ProQuest Dissertations & Theses Global: 304544388. 20 Feb. 2015.pl
dc.description.referencesFord, Madox Ford. 2013. The Good Soldier. N. p.: The Perfect Library.pl
dc.description.referencesGregg, Melissa, and Gregory J. Seigworth. 2010. An Inventory of Shimmers, 1-26. In: M. Gregg and G.J. Seigworth (eds.), The Affect Theory Reader, Durham: Duke UP.pl
dc.description.referencesKirschstein, Bette H. 1993. Gender, self, and society in Ford Madox Ford. ProQuest Dissertations & Theses Global: 304029249. 17 Mar. 2015.pl
dc.description.referencesLovell, Stephen. 2004. Finitude at the Fin de Siècle: Il’ia Mechnikov and Lev Tolstoy on Death and Life. Russian Review, vol. 63, no. 2, Apr. 296-316.pl
dc.description.referencesMcLean, Hugh. 2011. The Tolstoy Marriage Revisited—Many Times. Canadian Slavonic Papers / Revue Canadienne des Slavistes, vol.53, no. 1, Mar. 65-79.pl
dc.description.referencesMandelker, Amy. 1996. Framing Anna Karenina: Tolstoy, the woman question, and the Victorian novel. Columbus: Ohio State UP.pl
dc.description.referencesMerezhkovsky, Dmitrij S. 2000. L.Tosloy i Dosotoevsky. Moskva: Nauka.pl
dc.description.referencesRodden, John. 2011. From Minuet de la Cour to Cri de Coeur: Movements of the Heart in Ford’s The Good Soldier. English Studies: A Journal of English Language and Literature 92.8. 868-895.pl
dc.description.referencesShklovsky, Viktor. 1963. Lev Tolstoy. Moskva: Molodaia Gvardia.pl
dc.description.referencesStrakhov, Nikolay N. 1984. Literaturnaya kritika. Moskva: Soveremennik.pl
dc.description.referencesTolstoy, Leo. 2012. Anna Karenina, translated by Constance Garnett. n.p.: CreateSpace Independent Publishing Platform.pl
dc.description.pages54-64pl
dc.description.issue13 (2/2016)-
dc.description.firstpage54-
dc.description.lastpage64-
dc.identifier.citation2Crossroads. A Journal of English Studies-
Występuje w kolekcji(ach):Crossroads. A Journal of English Studies, 2016, Issue 13

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