REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
UwB

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dc.contributor.authorEgwali, Franklyn-
dc.contributor.authorUkagba, George-
dc.date.accessioned2017-07-07T10:15:05Z-
dc.date.available2017-07-07T10:15:05Z-
dc.date.issued2016-
dc.identifier.citationIdea. Studia nad strukturą i rozwojem pojęć filozoficznych, vol. 28/2, 2016, s. 246-258pl
dc.identifier.issn0860-4487-
dc.identifier.urihttp://hdl.handle.net/11320/5713-
dc.description.abstractArtists worldwide use various means and materials to realize their visual expressions. In the Department of Fine and Applied Arts, University of Benin, different types of materials can be seen used by students and lecturers alike. Some of these materials are fiberglass, bronze, metals, stone, clay and wood. Of all these materials, wood have come up as one of the most outstanding, dependable and striking. Three very evocative wood sculptures attracting attention and critical review are Life in Phases, Shame and Life is a Scuffle. These three ever powering and fascinating sculptures continue to speak volumes of the shamelessness among our greedy political office holders, the struggle to break even in our ever demanding and corrupt society. Is there any solution in sight for mankind’s daunting problems? This and more questions are what this paper seeks to answer and critically establish.pl
dc.language.isoenpl
dc.publisherWydawnictwo Uniwersytetu w Białymstokupl
dc.subjectartpl
dc.subjectsculpturespl
dc.subjectvisual expressionpl
dc.subjectAfrican aestheticspl
dc.titleThe emphatic wood sculptures at the University of Benin – their cultural and philosophical contributions to Nigerian art space: an articulation of African aestheticspl
dc.typeArticlepl
dc.identifier.doi10.15290/idea.2016.28.2.13-
dc.description.AffiliationFranklyn Egwali - Department of Fine and Applied Arts, University of Benin, Niegeriapl
dc.description.AffiliationGeorge Ukagba - Department of Philosophy, University of Benin, Nigeriapl
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dc.description.referencesFranklyn Egwali (2003) Expressive Style of Benin Sculpture: Nigerian Journal of the Humanities, Faculty of Arts, University of Benin, Nigeria, No. 10, September 2003.pl
dc.description.referencesFranklyn Egwali (2003) Styles in Nigerian Sculptures: An Appraisal of the Woman Undaunted. Journal of Creative Arts, Vol. 3, No. 1, Department of Creative Arts, University of Port Harcourt, Rivers State, Nigeria, January 2003, pp. 64–73.pl
dc.description.referencesFranklyn Egwali (2002) Quintessential Icons and Images of Africa. An Appraisal of Queen Idia Mask of Great Benin Kingdom, pp 72–83, Journal of Creative Arts, Vol. 4, No.1, Department of Creative Arts, University of Port Harcourt, Rivers State, Nigeria.pl
dc.description.referencesFranklyn Egwali (2004) Song of the Benin Carver. Nigerian Crafts and Techniques, Nigerian Crafts Forum – Department of Industrial Design, Federal University of Technology, Akura, Nigeria, pp. 114–121.pl
dc.description.referencesFranklyn Egwali (2006) Sculptures and Motifs of Great Benin Kingdom. Journal of Vocational Science and Educational Development (JOVSED) Vol. 7, No. 1 & 2, pp. 28–34, University of Science and Technology, Port Harcourt, Rivers State.pl
dc.description.referencesFranklyn Egwali (2006) Creativity and Stylistic Sculptures in Nigeria: A Study of Ben Osawe’s Sculptural Monuments – African Journal of Interdisciplinary Studies. An International Journal of Research Studies in Multidimensional Field. Pp. 74–80, University of Science and Technology, Port Harcourt, Rivers State.pl
dc.description.referencesFranklyn Egwali (2006) An Appraisal of the Conceptual, Thematic and Photographic Language of the Art of Ogene John. ELA – Journal of Africa Sudies, No. 19 & 20, Department of Fine and Applied Arts, Faculty of Environmental Science, Ladoke Akintola University of Technology, Ogbomosho, Nigeria, pp. 61–71, May/Oct. 2006.pl
dc.description.referencesFranklyn Egwali (2007) An Appraisal of Dexterity and Creativity in Osawe’s Plaster of Paris (PoP) Casting and Clay Modelling. ELA – A Journal of African Studies, No. 21 & 22. Department of Fine and Applied Arts, Faculty of Environmental Science, Ladoke Akintola University of Technology, Ogbomosho, Nigeria, pp. 9–23.pl
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dc.description.pages246-258pl
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