Феноменология бездомности героев мотива русский человек на rendez-vous в русской словесности XIX – первой трети XX вв.

Abstract

The motif "Russian person to rendez-vous" is one of the leading motifs in Russian literature of the 19th and early 20th centuries. In the center of this motif – the tragedy of loving people facing (very early in life) their destiny, no survivors of that fateful event, and therefore doomed to homelessness. The essence of this motif appears as a kind of perpetual preparation of one event memory, or rather it is a spiritual retentive «memory person» as defined by its L. Pumpyanskiy, when love, hope and home are inevitably out of reach and always passed illusions. Homeless heroes as the flip side of the defeat in the main event of their lives, implemented simultaneously elusive but vital by-redemption personality of their moral cowardice, moral cowardice before the gift of Destiny – love. "Russian people to rendez-vous" – this motif was originally about the peculiar relationship with the House of heroes and their constant, predefined, personal craving for homelessness. Heroes motif – initially and irresistibly wanderers who choose homelessness as the probability of the existence of genuine freedom. In this sense, freedom of choice and responsibility for it is akin to the heroes’ phenomenological perceived homelessness. Choice Homes – a selection and approval of their life paths one that is fundamentally impossible for the heroes and heroines of wanderers, originally located in the strange relationship with the family and home. It is the constant homelessness as a special space at the same time, the state and the method of initiation, dialogue heroes to life is meaningful to them. Memory of a possible, but not selected, it is in the act, the House and its associated values, remains the only opportunity for the characters to experience homelessness and oneself.