Звуковой мир русской прозы (к вопросу сонористики литературного произведения  XIX века)

Pole DC	Wartość	Język
dc.contributor.author	Осух, Тадеуш	-
dc.contributor.author	Ганцаж, Петр	-
dc.date.accessioned	2026-08-18T10:05:43Z	-
dc.date.available	2026-08-18T10:05:43Z	-
dc.date.issued	2002	-
dc.identifier.citation	Studia Wschodniosłowiańskie, T. 2, 2002, s. 99-120	pl
dc.identifier.issn	1642-557X	-
dc.identifier.uri	http://hdl.handle.net/11320/20780	-
dc.description.abstract	The article presents an attempt to define the character and function of sound representation in the works of Russian 19th century writers. The analysis has shown that the significance of textual music cannot be explained only by aiming at onomatopoeic effects. The acoustic representations attain a symbolic force, pointing also to the authors conviction that there is a sort of kinship between music and literature, and their interaction is both possible and necessary.	pl
dc.language.iso	ru	pl
dc.publisher	Wydawnictwo Uniwersytetu w Białymstoku	pl
dc.title	Звуковой мир русской прозы (к вопросу сонористики литературного произведения XIX века)	pl
dc.title.alternative	The world of speech sounds of Russian prose (notes on sonorant sounds in literary work of the 19th century)	pl
dc.type	Article	pl
dc.identifier.doi	10.15290/sw.2002.02.08	-
dc.description.volume	2	pl
dc.description.firstpage	99	pl
dc.description.lastpage	120	pl
dc.identifier.citation2	Studia Wschodniosłowiańskie	pl
Występuje w kolekcji(ach):	Studia Wschodniosłowiańskie, 2002, tom 2

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