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| Pole DC | Wartość | Język |
|---|---|---|
| dc.contributor.author | Mikó, Alexandra | - |
| dc.contributor.author | Karsai, István | - |
| dc.contributor.author | Kovács, Katalin | - |
| dc.date.accessioned | 2026-04-27T09:38:01Z | - |
| dc.date.available | 2026-04-27T09:38:01Z | - |
| dc.date.issued | 2025 | - |
| dc.identifier.citation | Creativity. Theories – Research – Applications, Vol. 12, Issue 1, 2025, pp. 121-138 | pl |
| dc.identifier.uri | http://hdl.handle.net/11320/20190 | - |
| dc.description.abstract | Since creativity is considered a key competence in the 21st century, its development deserves special attention in education. Research has shown that the key to fostering creativity lies in the manner in which the teacher creates a classroom environment that encourages it, and the teaching methods employed to deliver the curriculum. Skills related to creativity develop best when studentcentered teaching methods are applied. The objective of the present study is to examine the impact of a creative atmosphere and the integration of student-centered ap proaches on the creativity of university students enrolled in a music-based fundamental movement course. Altogether, 34 university students participated in the elective, music-based fundamental movement course, which was based on Rudolf Laban’s movement analysis system. The course lasted 13 weeks, with one 90-minute session per week. The teaching methodology was student-centered. The level of creativity was assessed using the Tóth Creativivty Assessment Scale (Tóth & Király, 2006). The creative learning process was evaluated through fundamental movement sequence (Mikó et al., 2024). Creative climate was surveyed using the School Creative Climate Questionnaire (Péter-Szarka et al., 2015). By the end of the course, significant changes were observed in the complexity (p < 0.001), thinking (p = 0.023), dominance (p = 0.013), and self-actualization (p = 0.006) sub-factors. Furthermore, by the end of the course participants had assembled significantly more varied (p = 0.022) choreography of fundamental movement. The results of the creative climate questionnaire demonstrate the group’s considerable influence in shaping the prevailing climate. In conclusion, our study reveals that even a 13-week course can induce positive changes in creativity. | pl |
| dc.language.iso | en | pl |
| dc.publisher | University of Białystok | pl |
| dc.rights | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License | - |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | - |
| dc.subject | creativity | pl |
| dc.subject | fundamental movement | pl |
| dc.subject | creative climate | pl |
| dc.subject | student-centered teaching | pl |
| dc.title | The Impact of Creative Educational Climate on the Choreography of Fundamental Movement Sequences | pl |
| dc.type | Article | pl |
| dc.rights.holder | © 2025 Alexandra Mikó, István Karsai, Katalin Kovács, published by University of Białystok | pl |
| dc.rights.holder | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. | pl |
| dc.identifier.doi | 10.2478/ctra-2025-0006 | - |
| dc.description.Email | Alexandra Mikó: szancsoo@gmail.com | pl |
| dc.description.Affiliation | Alexandra Mikó - Doctoral School of Education, Eötvös Loránd University, Hungary | pl |
| dc.description.Affiliation | István Karsai - Sports and Physical Education Center, Medical School, University of Pécs, Pécs, Hungary | pl |
| dc.description.Affiliation | Katalin Kovács - Institute of Health Promotion and Sport Sciences, ELTE Eötvös Loránd University, Budapest, Hungary | pl |
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| dc.identifier.eissn | 2354-0036 | - |
| dc.description.volume | 12 | pl |
| dc.description.issue | 1 | pl |
| dc.description.firstpage | 121 | pl |
| dc.description.lastpage | 138 | pl |
| dc.identifier.citation2 | Creativity. Theories – Research – Applications | pl |
| dc.identifier.orcid | 0009-0009-8014-6272 | - |
| dc.identifier.orcid | 0000-0002-9191-8209 | - |
| dc.identifier.orcid | 0000-0002-2880-9894 | - |
| Występuje w kolekcji(ach): | Creativity. Theories – Research – Applications, 2025, Vol. 12, Issue 1 | |
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