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  3. Creativity. Theories – Research – Applications
  4. Creativity. Theories – Research – Applications, 2022, Vol. 9, Issue 2

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    • Proszę używać tego identyfikatora do cytowań lub wstaw link do tej pozycji: http://hdl.handle.net/11320/20138
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    Pole DCWartośćJęzyk
    dc.contributor.authorUszyńska-Jarmoc, Janina-
    dc.contributor.authorKunat, Beata-
    dc.date.accessioned2026-04-21T11:37:59Z-
    dc.date.available2026-04-21T11:37:59Z-
    dc.date.issued2022-
    dc.identifier.citationCreativity. Theories – Research – Applications, Vol. 9, Issue 2, 2022, pp. 94-118pl
    dc.identifier.urihttp://hdl.handle.net/11320/20138-
    dc.description.abstractThe goal of the present study is to showcase the relation of creativity and passion, captured from the perspective of an analysis of experiences, subjective encounters, and feelings of an everyday creator, as well as analysis of their products. Basing on qualitative analysis of an individual case of a person with passion, the paper presents an image of their everyday creativity. In our research, we referred to the principles of everyday creativity (Richards, 1999, 2007, 2010). Analysis of the results of The Dualistic Model of Passion (Vallerand et al., 2003; Vallerand, 2008, 2010, 2015) became the theoretical frame of reference in our pursuits of the role passion plays in the examined person’s creativity. We conducted an analysis of the process and effects of everyday creativity of this individual in the context of two dimensions of harmonious and obsessive passion (Vallerand, 2015). Additionally, we analyzed and interpreted qualitative material in the context of the concept of Flow (Csíkszentmihályi, 1996) and Grit: The Power of Passion and Perseverance (Duckworth et al., 2007; Duckworth & Quinn, 2009; Duckworth, 2016). We analyzed traits of the examined everyday creator in the context of the Big-Five concept of personality (McCrae, 1987; McCrae & Costa, 1999). The research shows that using the theory of passion to analyze an individual’s everyday creativity can reveal two extremely different images of a person’s creative works, their personality, as well as the creative process itself. These images are differentiated by harmonious passion and obsessive passion, considered here as disparate sources of creativity.pl
    dc.language.isoenpl
    dc.publisherUniversity of Białystokpl
    dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 3.0 Licensepl
    dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/pl
    dc.subjecteveryday creativitypl
    dc.subjectharmonious and obsessive passionpl
    dc.subjectlittle-c creativitypl
    dc.subjectflowpl
    dc.subjectgritpl
    dc.subjectBig Five of personalitypl
    dc.titleImage of Everyday Creativity. An Individual Case of a Person with Passionpl
    dc.typeArticlepl
    dc.rights.holder© 2023 Janina Uszyńska-Jarmoc, Beata Kunat, published by University of Białystokpl
    dc.rights.holderThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Licensepl
    dc.identifier.doi10.2478/ctra-2022-0013-
    dc.description.EmailJanina Uszyńska-Jarmoc: j.uszynska@uwb.edu.plpl
    dc.description.EmailBeata Kunat: b.kunat@uwb.edu.plpl
    dc.description.AffiliationJanina Uszyńska-Jarmoc - University of Bialystok, Bialystok, Polandpl
    dc.description.AffiliationBeata Kunat - University of Bialystok, Bialystok, Polandpl
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    dc.identifier.eissn2354-0036-
    dc.description.volume9pl
    dc.description.issue2pl
    dc.description.firstpage94pl
    dc.description.lastpage118pl
    dc.identifier.citation2Creativity. Theories – Research – Applicationspl
    Występuje w kolekcji(ach):Artykuły naukowe (WNoE)
    Creativity. Theories – Research – Applications, 2022, Vol. 9, Issue 2

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