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| Pole DC | Wartość | Język |
|---|---|---|
| dc.contributor.author | Lubart, Todd | - |
| dc.contributor.author | Esposito, Dario | - |
| dc.contributor.author | Gubenko, Alla | - |
| dc.contributor.author | Houssemand, Claude | - |
| dc.date.accessioned | 2026-04-10T07:59:09Z | - |
| dc.date.available | 2026-04-10T07:59:09Z | - |
| dc.date.issued | 2021 | - |
| dc.identifier.citation | Creativity. Theories – Research – Applications, Vol. 8, Issue 1, 2021, pp. 23-37 | pl |
| dc.identifier.uri | http://hdl.handle.net/11320/20049 | - |
| dc.description.abstract | This paper examines three ways that robots can interface with creativity. In particular, social robots which are designed to interact with humans are examined. In the first mode, human creativity can be supported by social robots. In a second mode, social robots can be creative agents and humans serve to support robot’s productions. In the third and final mode, there is complementary action in creative work, which may be collaborative co-creation or a division of labor in creative projects. Illustrative examples are provided and key issues for further discussion are raised. | pl |
| dc.description.sponsorship | The article was prepared in the framework of a research grant funded by the Ministry of Science and Higher Education of the Russian Federation (grant ID: 075-15-2020-928). | pl |
| dc.language.iso | en | pl |
| dc.publisher | University of Białystok | pl |
| dc.rights | Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License | - |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | - |
| dc.subject | creation process | pl |
| dc.subject | human-robot interaction | pl |
| dc.subject | human-robot co-creativity | pl |
| dc.subject | embodied creativity | pl |
| dc.subject | social robots | pl |
| dc.title | Creativity in Humans, Robots, Humbots | pl |
| dc.type | Article | pl |
| dc.rights.holder | © 2021 Todd Lubart, Dario Esposito, Alla Gubenko, Claude Houssemand, published by University of Białystok | pl |
| dc.rights.holder | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. | pl |
| dc.identifier.doi | 10.2478/ctra-2021-0003 | - |
| dc.description.Email | Todd Lubart: todd.lubart@u-paris.fr | pl |
| dc.description.Affiliation | Todd Lubart - LaPEA, Université de Paris and Univ. Gustav Eiffel, F-92100 Boulogne-Billancourt, France; HSE University, Moscow, Russia | pl |
| dc.description.Affiliation | Dario Esposito - LaPEA, Université de Paris and Univ. Gustav Eiffel, F-92100 Boulogne-Billancourt, France | pl |
| dc.description.Affiliation | Alla Gubenko - Department of Education and Social Work, Institute for Lifelong Learning and Guidance, University of Luxembourg, Luxembourg | pl |
| dc.description.Affiliation | Claude Houssemand - Department of Education and Social Work, Institute for Lifelong Learning and Guidance, University of Luxembourg, Luxembourg | pl |
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| dc.identifier.eissn | 2354-0036 | - |
| dc.description.volume | 8 | pl |
| dc.description.issue | 1 | pl |
| dc.description.firstpage | 23 | pl |
| dc.description.lastpage | 37 | pl |
| dc.identifier.citation2 | Creativity. Theories – Research – Applications | pl |
| Występuje w kolekcji(ach): | Creativity. Theories – Research – Applications, 2021, Vol. 8, Issue 1 | |
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