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| Pole DC | Wartość | Język |
|---|---|---|
| dc.contributor.author | Jerrentrup, Maja Tabea | - |
| dc.date.accessioned | 2026-04-10T07:14:14Z | - |
| dc.date.available | 2026-04-10T07:14:14Z | - |
| dc.date.issued | 2020 | - |
| dc.identifier.citation | Creativity. Theories – Research – Applications, Vol. 7, Issue 2, 2020, pp. 411-430 | pl |
| dc.identifier.uri | http://hdl.handle.net/11320/20045 | - |
| dc.description.abstract | The art of bodypainting that is fairly unknown to a wider public turns the body into a canvas - it is a frequently used phrase in the field of bodypainting that illustrates the challenge it faces: it uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities and characteristics. This paper looks at individuals who are turned into art by bodypainting. Although body painting can be very challenging for them - they have to expose their bodies and to stand still for a long time while getting transformed - models report that they enjoy both the process and the result, even if they are not confident about their own bodies. Among the reasons there are physical aspects like the sensual enjoyment, but also the feeling of being part of something artistic. This is enhanced and preserved through double staging - becoming a threedimentional work of art and then being staged for photography or film clips. This process gives the model the chance to experience their own body in a detached way. On the one hand, bodypainting closely relates to the body and on the other hand, it can help to over-come the body. | pl |
| dc.language.iso | en | pl |
| dc.publisher | University of Białystok | pl |
| dc.rights | Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License | - |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | - |
| dc.subject | Body painting | pl |
| dc.subject | Identity | pl |
| dc.subject | Model | pl |
| dc.subject | Participant Observation | pl |
| dc.subject | Well-Being | pl |
| dc.title | A Liberating Experience. On Becoming a Work of Art | pl |
| dc.type | Article | pl |
| dc.rights.holder | © 2021 Maja Tabea Jerrentrup, published by University of Białystok. | pl |
| dc.rights.holder | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. | pl |
| dc.identifier.doi | 10.2478/ctra-2020-0020 | - |
| dc.description.Email | maja.jerrentrup@adypu.edu.in | pl |
| dc.description.Affiliation | Ajeenkya DY Patil University, India | pl |
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| dc.identifier.eissn | 2354-0036 | - |
| dc.description.volume | 7 | pl |
| dc.description.issue | 2 | pl |
| dc.description.firstpage | 411 | pl |
| dc.description.lastpage | 430 | pl |
| dc.identifier.citation2 | Creativity. Theories – Research – Applications | pl |
| Występuje w kolekcji(ach): | Creativity. Theories – Research – Applications, 2020, Vol. 7, Issue 2 | |
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