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http://hdl.handle.net/11320/19136Pełny rekord metadanych
| Pole DC | Wartość | Język |
|---|---|---|
| dc.contributor.author | Poorghorban, Younes | - |
| dc.date.accessioned | 2025-10-27T12:56:04Z | - |
| dc.date.available | 2025-10-27T12:56:04Z | - |
| dc.date.issued | 2025 | - |
| dc.identifier.citation | Crossroads. A Journal of English Studies 50 (3/2025), pp. 84-96 | pl |
| dc.identifier.uri | http://hdl.handle.net/11320/19136 | - |
| dc.description.abstract | Nancy Audrey Spector’s Fifty Shades of Dorian Gray (2012) reworks Oscar Wilde’s The Picture of Dorian Gray by eliminating its original focus on homosexuality and aestheticism. Instead, the novel centralises the sexual exploitation of female characters, reflecting the tropes of erotic romance. Women in Spector’s narrative are depicted as passive objects or agents of male sexual desire, perpetuating the Victorian sexual ideology of the ‘angel in the house’ versus the ‘fallen woman’. The portrayal of Sybil Vane exemplifies this regressive stance, reducing her to a disposable figure of entertainment in stark contrast to Wilde’s morally consequential depiction. Rather than subverting Victorian gender politics or offering a meaningful reinterpretation of Wilde’s themes, Spector’s work reinforces patriarchal norms and punishes female sexual agency. Ultimately, the novel emerges as a derivative piece lacking substantive engagement with its literary inspirations. | pl |
| dc.language.iso | en | pl |
| dc.publisher | The University of Białystok, The Faculty of Philology | pl |
| dc.rights | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License | - |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/4.0/ | - |
| dc.subject | Oscar Wilde | pl |
| dc.subject | The Picture of Dorian Gray | pl |
| dc.subject | Nancy Audrey Spector | pl |
| dc.subject | neo-Victorian literature | pl |
| dc.subject | gender politics | pl |
| dc.title | Victorian Echoes in Modern Erotica: The Sexual Politics of Nancy Audrey Spector’s Fifty Shades of Dorian Gray | pl |
| dc.type | Article | pl |
| dc.rights.holder | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0) | pl |
| dc.identifier.doi | 10.15290/CR.2025.50.3.06 | - |
| dc.description.Email | younespoorghorban@outlook.com | pl |
| dc.description.Biographicalnote | Younes Poorghorban is a PhD candidate at Victoria University of Wellington, specialising in historical adaptations of Oscar Wilde’s The Picture of Dorian Gray. His research explores themes of homoeroticism and aestheticism in Wildean adaptations across literature, theatre, and film. His broader interests include Neo-Victorian literature, Gothic studies, Ecocriticism, and the intersections of art and identity in modern and historical contexts. | pl |
| dc.description.Affiliation | Victoria University of Wellington, New Zealand | pl |
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| dc.description.references | Poorghorban, Younes. “Subverting Gender Norms: Cross-Dressing and Power in Kilpatrick’s The Darker Passions: The Picture of Dorian Gray.” Women’s Studies, ahead of print, 2025, pp. 1–13. https://doi.org/10.1080/00497878.2025.2483460. | pl |
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| dc.description.references | Vickery, Amanda. “Golden Age to Separate Spheres? A Review of the Categories and Chronology of English Women’s History.” The Historical Journal, vol. 36, no. 2, 1993, pp. 383–414. doi:10.1017/S0018246X9300001X. | pl |
| dc.description.references | Wilde, Oscar. The Picture of Dorian Gray. Oxford UP, 2006. | pl |
| dc.identifier.eissn | 2300-6250 | - |
| dc.description.issue | 50 (3/2025) | pl |
| dc.description.firstpage | 84 | pl |
| dc.description.lastpage | 96 | pl |
| dc.identifier.citation2 | Crossroads. A Journal of English Studies | pl |
| dc.identifier.orcid | 0000-0001-7631-0433 | - |
| Występuje w kolekcji(ach): | Crossroads. A Journal of English Studies, 2025, Issue 50 | |
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