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Pole DC | Wartość | Język |
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dc.contributor.author | Gallitelli, Eleonora | - |
dc.date.accessioned | 2025-09-12T06:51:30Z | - |
dc.date.available | 2025-09-12T06:51:30Z | - |
dc.date.issued | 2025 | - |
dc.identifier.citation | Crossroads. A Journal of English Studies 49 (2/2025), pp. 101-118 | pl |
dc.identifier.uri | http://hdl.handle.net/11320/18757 | - |
dc.description.abstract | This paper focuses on the use of person deixis in the framing of a new edition of Aldo Leopold’s A Sand County almanac: And sketches here and there (1949). This celebrated non-fiction work, considered one of the most important books on ecology and environmentalism ever written, has been published in many editions in 15 languages, with more than two million copies printed. The recent 2020 OUP edition is particularly interesting from a pragmatic point of view, for the way it is targeted to a new generation of readers thanks to an introduction by the author Barbara Kingsolver. Here, deixis is effectively employed to overcome what Kingsolver calls the “full-metal culture war” between conservationists and conservatives. Her ecumenical use of several varieties of the “inclusive we” (Yule, 1996, p. 11) may be considered part of a strategic manoeuvring aimed to create “communion” (van Eemeren & Houtlosser, 1999, p. 485) between the two opposing parties, while at the same time averting a risk of cancellation that Kingsolver perceives in “the heat of modern culture wars”. | pl |
dc.language.iso | en | pl |
dc.publisher | The University of Białystok, The Faculty of Philology | pl |
dc.rights | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/4.0/ | |
dc.subject | person deixis | pl |
dc.subject | Aldo Leopold | pl |
dc.subject | ecological discourse | pl |
dc.subject | strategic manoeuvring | pl |
dc.subject | cancel culture | pl |
dc.title | Aldo Leopold and us: Person deixis as a rhetorical strategy in Barbara Kingsolver’s introduction to A Sand County almanac | pl |
dc.type | Article | pl |
dc.rights.holder | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0) | pl |
dc.identifier.doi | 10.15290/CR.2025.49.2.06 | - |
dc.description.Email | eleonora.gallitelli@uniud.it | pl |
dc.description.Biographicalnote | Eleonora Gallitelli is associate professor of English Language, Linguistics and Translation at the University of Udine (Dpt. of Humanities and Cultural Heritage), where she teaches English for Tourism. She holds a PhD in Translation Studies from IULM University, Milan. She is currently involved in the Erasmus + project ELITE-AI (Empowering Specialized Language Acquisition with Integrated AI) and in the University of Udine Research Unit of the Interuniversity Research Centre Dis-4Change. Her main research interests are translation and reception studies, ESP teaching, discourse analysis and ecolinguistics. Her monograph T.S. Eliot’s Four Quartets in Italy. Translations, appropriations, canonization (1944-2013) will be published in 2026 by De Gruyter Brill. | pl |
dc.description.Affiliation | University of Udine, Italy | pl |
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dc.identifier.eissn | 2300-6250 | - |
dc.description.issue | 49 (2/2025) | pl |
dc.description.firstpage | 101 | pl |
dc.description.lastpage | 118 | pl |
dc.identifier.citation2 | Crossroads. A Journal of English Studies | pl |
dc.identifier.orcid | 0009-0007-2930-8075 | - |
Występuje w kolekcji(ach): | Crossroads. A Journal of English Studies, 2025, Issue 49 |
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