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dc.contributor.authorFortunato, Elisa-
dc.date.accessioned2025-09-12T06:13:06Z-
dc.date.available2025-09-12T06:13:06Z-
dc.date.issued2025-
dc.identifier.citationCrossroads. A Journal of English Studies 49 (2/2025), pp. 89-100pl
dc.identifier.urihttp://hdl.handle.net/11320/18756-
dc.description.abstractThe history of the critical reception of the short fiction of the writer Katherine Mansfield can be divided into two main areas: studies that investigate her short stories in their multiple relationships with Modernism, and more recent analyses that focus on her (post)colonial roots as a New Zealander. The cultural, gendered and physical otherness in her short stories is the privileged subject of criticism. Conversely, what is almost completely forgotten by the critics is her concern for the nonhuman world. What is most striking is how the otherness that ontologically characterises her life and her stories is not only a line of separation but also traces a link between different worlds. The elements of the binary paradigms are always in relation to each other and they exist only through this relation. Seen from this perspective, her short stories show the links and pave the way not to separation but to unity. This essay aims to highlight the relevance that the act of writing has for Mansfield in her attempt to create a new subjectivity that embeds human and nonhuman in a process of autopoiesis. Instead of seeing the world and its inhabitants in terms of static structures, she focuses on the network of relationships between them. It is in her network of relationships that she depicts what can be seen as her posthumanism ante litteram.pl
dc.language.isoenpl
dc.publisherThe University of Białystok, The Faculty of Philologypl
dc.rightsCreative Commons Attribution NonCommercial ShareAlike 4.0 International License
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subjectMansfieldpl
dc.subjectshort storypl
dc.subjectposthumanismpl
dc.titleTo lose myself in the soul of the other that I am not: The process of becoming in Katherine Mansfield’s short storiespl
dc.typeArticlepl
dc.rights.holderCreative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0)pl
dc.identifier.doi10.15290/CR.2025.49.2.05-
dc.description.Emailelisa.fortunato@uniba.itpl
dc.description.BiographicalnoteElisa Fortunato is Associate Professor in English Literature at the University of Bari, Italy. She has published essays on classical sources of Gulliver’s Travels and a book in 2014 (Le tracce del marinaio. Note ai “Gulliver’s travels” di Jonathan Swift) and on the relationship between history and fiction in 19th-century England. Since 2015 she has been studying the relationship between translation and patronage during fascism (A strange-dispos’d time, 2017; Censorship and self-censorship during fascism, 2020). Recently her interests have been shifting to ecocriticism and dystopian narratives (How to escape a ‘sub-human lot: Aldous Huxley’s ‘The politics of ecology – the question of survival’, 2019; Beyond ecological trauma. Aldous Huxley’s theory of language, 2022; Debt as Plot. Notes on Margaret Atwood’s The heart goes last, 2022).pl
dc.description.AffiliationUniversity of Bari, Italypl
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dc.description.referencesDerrida, J.(2002). The animal that therefore I am (more to follow). 1997. Trans. David Wills. Critical Inquiry, 28.2, 369–418.pl
dc.description.referencesDerrida, J. (2011–2017). The beast and the sovereign. Vols. 1–2. The University of Chicago Press.pl
dc.description.referencesGoodbody, A. (2016). Animal studies: Kafka’s animal stories. In H. Zapf (Ed.), Handbook of ecocriticism and cultural ecology (pp. 249–272). De Gruyter.pl
dc.description.referencesGray, N. (2011). Un-defining the self in the stories of Katherine Mansfield. In J. Wilson et al. (Eds.), Katherine Mansfield and literary modernism (pp. 78–88). Continuum.pl
dc.description.referencesHaraway, D. (2003). The companion species manifesto. Dogs, people, and significant otherness. Prickly Paradigm Press.pl
dc.description.referencesHarvey, M. (2011). Katherine Mansfield’s menagerie. In J. Wilson et al. (Eds.), Katherine Mansfield and literary modernism (pp. 202–211). Continuum.pl
dc.description.referencesKaplan, S.J. (1911). Katherine Mansfield and the origin of modernist fiction. Cornell University Press.pl
dc.description.referencesLatour, B. (2017). Où Atterrir? Comment s’orienter en politique. La Découverte.pl
dc.description.referencesManenti, D. (2014). From the store to the story: Katherine Mansfield and the process of rewriting. Journal of New Zealand Literature (JNZL), No. 32, 167–181.pl
dc.description.referencesMansfield, K. (1962). The journal of Katherine Mansfield 1904-1922, edited by J .M. Murry. Constable & Co.pl
dc.description.referencesMansfield, K. (1984). The collected letters of Katherine Mansfield 1903-1917. Vol. 1. Clarendon Press.pl
dc.description.referencesMansfield, K. (1996). The collected letters of Katherine Mansfield 1920-1921. Vol. 4. Clarendon Press.pl
dc.description.referencesMansfield, K. (2015). The Urewera notebook by Katherine Mansfield. Edinburgh University Press.pl
dc.description.referencesMansfield, K. (2012). The collected fiction of Katherine Mansfield 1916-1922. Edinburgh University Press.pl
dc.description.referencesMounic, A. (2011). ‘Ah, what is it? – that I heard’: The sense of wonder in Katherine Mansfield’s stories and poems. In G. Kimber & J. Wilson (Eds.), Celebrating Katherine Mansfield. A centenary volume of essays (pp. 144–157). Palgrave MacMillan.pl
dc.description.referencesQing, L. (2018). Katherine Mansfield: An ecocritical perspective [Doctoral dissertation, Natural University of Singapore].pl
dc.description.referencesRyan, D. (2015). Animal theory. A critical introduction. Edinburgh University Press.pl
dc.description.referencesRyan, D. (2018). Katherine Mansfield’s animal aesthetics. Modern Fiction Studies, LXIV, 1, 27–51.pl
dc.description.referencesTaylor, N. (2011). Anthropomorphism and the animal subject. In R. Boddice (Ed.), Anthropocentrism. Human, animal, environment (pp. 265–280). Brill.pl
dc.description.referencesWilson, J. (2017), Katherine Mansfield, Virginia Woolf, and the nature goddess tradition. Literature and Aesthetics, 27 (1), 17–38.pl
dc.description.referencesWoolf, V. (1927, September 10). A terribly sensitive mind. The Nation and Athenaeum.pl
dc.description.referenceshttps://www.britannica.com/dictionary/naturepl
dc.description.referenceshttps://www.oed.com/dictionary/ecology_n?tl=truepl
dc.identifier.eissn2300-6250-
dc.description.issue49 (2/2025)pl
dc.description.firstpage89pl
dc.description.lastpage100pl
dc.identifier.citation2Crossroads. A Journal of English Studiespl
dc.identifier.orcid0000-0001-8629-7789-
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