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http://hdl.handle.net/11320/16719
Pełny rekord metadanych
Pole DC | Wartość | Język |
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dc.contributor.author | Łapińska, Magdalena | - |
dc.date.accessioned | 2024-06-14T12:36:06Z | - |
dc.date.available | 2024-06-14T12:36:06Z | - |
dc.date.issued | 2024 | - |
dc.identifier.citation | Crossroads. A Journal of English Studies 44 (1/2024), pp. 66-83 | pl |
dc.identifier.uri | http://hdl.handle.net/11320/16719 | - |
dc.description.abstract | The article explores the concept of identity and the notion of transgressing the color line in Brit Bennett’s The Vanishing Half. Racial passing, in which light-skinned African Americans lived their lives as white people, is a trope present in numerous African American novels, notably Nella Larsen’s Passing. Brit Bennett’s novel returns to the once-popular trope of transgressing the color line in the second half of the twentieth century in the United States. Although Bennett subverts the trope as no tragedy befalls those who cross the line of the racial divide, the novel presents how one’s race, circumstance, and choices shape not only one’s own identity but also how they impact the next generation. Through the return to the past, Bennett’s novel emphasizes the continued divide within American society. Based on the historical and cultural backdrop of the United States, as well as through the application of affect theory, the article explores to what degree one’s race, choices, experienced violence, and society’s stereotypes and prejudice impact how characters feel, behave, and define themselves. The focal point of the analysis is the exploration of two generations of women from one family and the examination of how differently their racial identities have been shaped. | pl |
dc.language.iso | en | pl |
dc.publisher | The University of Białystok | pl |
dc.rights | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License | pl |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | pl |
dc.subject | identity | pl |
dc.subject | race | pl |
dc.subject | transgressions | pl |
dc.subject | African Americans | pl |
dc.subject | racial passing | pl |
dc.title | The Consequences of Crossing the Color Line: Identity and Racial Passing in Brit Bennett’s The Vanishing Half | pl |
dc.type | Article | pl |
dc.rights.holder | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0) | pl |
dc.identifier.doi | 10.15290/CR.2024.44.1.05 | - |
dc.description.Email | m.lapinska@uwb.edu.pl | pl |
dc.description.Biographicalnote | Magdalena Łapińska holds a PhD in Literature and works at the Faculty of Philology, University of Białystok. She has published articles on identity, memory, and affect in African American prose, as well as on the representation of racial issues in fantasy literature. | pl |
dc.description.Affiliation | University of Białystok, Poland | pl |
dc.description.references | Belluscio, Steven J. To Be Suddenly White: Literary Realism and Racial Passing. University of Missouri Press, 2006. | pl |
dc.description.references | Bennett, Brit. The Vanishing Half. Dialogue Books, 2020. | pl |
dc.description.references | Browder, Laura. Slippery Characters: Ethnic Impersonators and American Identities. University of North Carolina Press, 2000. | pl |
dc.description.references | Dagbovie-Mullins, Sika A. Crossing B(l)ack: Mixed-Race Identity in Modern American Fiction and Culture. University of Tennessee Press, 2013. | pl |
dc.description.references | Daniel, G. Reginald. More than Black? Multiracial Identity and the New Racial Order. Temple University Press, 2002. | pl |
dc.description.references | Dawkins, Marcia Alesan. Clearly Invisible: Racial Passing and the Color of Cultural Identity. Baylor University Press, 2012. | pl |
dc.description.references | Du Bois, W. E. B. The Souls of Black Folk. Oxford University Press, 2007. | pl |
dc.description.references | Ginsberg, Elaine K. “Introduction: The Politics of Passing.” Passing and the Fictions of Identity, edited by Elaine K. Ginsberg, Duke University Press, 1996, pp. 1–18. | pl |
dc.description.references | Goffman, Erving. Stigma: Notes on the Management of Spoiled Identity. Prentice-Hall, 1963. | pl |
dc.description.references | Hobbs, Allyson Vanessa. A Chosen Exile: A History of Racial Passing in American Life. Harvard University Press, 2014. | pl |
dc.description.references | Kroeger, Brooke. Passing: When People Can’t Be Who They Are. Public Affairs, 2003. | pl |
dc.description.references | Tomkins, Silvan S. Affect Imagery Consciousness: The Complete Edition. Springer Publishing, 2008. | pl |
dc.description.references | Exploring Affect: The Selected Writings of Silvan S. Tomkins. Edited by E. Virginia Demos, Cambridge University Press, 1995. | pl |
dc.identifier.eissn | 2300-6250 | - |
dc.description.issue | 44 (1/2024) | pl |
dc.description.firstpage | 66 | pl |
dc.description.lastpage | 83 | pl |
dc.identifier.citation2 | Crossroads. A Journal of English Studies | pl |
dc.identifier.orcid | 0000-0002-7686-3086 | - |
Występuje w kolekcji(ach): | Artykuły naukowe (WFil) Crossroads. A Journal of English Studies, 2024, Issue 44 |
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Crossroads_44_2024_M_Lapinska_The_Consequences_of_Crossing.pdf | 211,23 kB | Adobe PDF | Otwórz |
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