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dc.contributor.authorKarczewska, Anna Maria-
dc.date.accessioned2023-11-15T09:03:44Z-
dc.date.available2023-11-15T09:03:44Z-
dc.date.issued2023-
dc.identifier.citationCrossroads. A Journal of English Studies 41 (2/2023), pp. 99-103pl
dc.identifier.urihttp://hdl.handle.net/11320/15453-
dc.language.isoenpl
dc.publisherThe University of Białystokpl
dc.rightsCreative Commons Attribution NonCommercial ShareAlike 4.0 International License-
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/-
dc.titleReview of Journalism and Celebrity by Bethany Usher, Routledge 2020, 216 pp. ISBN: 9780367200886, £36.99.pl
dc.typeOtherpl
dc.rights.holderCreative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0)pl
dc.identifier.doi10.15290/cr.2023.41.2.07-
dc.description.Emaila.karczewska@uwb.edu.plpl
dc.description.BiographicalnoteAnna Maria Karczewska is a graduate in English and Spanish Philology; she is Assistant Professor at the University of Białystok where she teaches in the Department of Comparative Literature. She has a Ph.D. in cultural studies from the University of Social Sciences and Humanities (SWPS) in Warsaw. She has written a monograph New Journalism as a Window onto the 1960s Counterculture (2017); she has also published articles related to her current research interests that revolve around Latin American culture and Latin American literature.pl
dc.description.AffiliationUniversity of Białystok, Polandpl
dc.description.referencesBauman, Z. 2007. Foreword. In: Wiesław Godzic, Znani z tego, że są znani. Celebryci w kulturze tabloidów. [Well Known For Their Well Knownness 2. Celebrities in tabloid culture], 7-14. Warszawa: Wydawnictwa Akademickie i Profesjonalne.pl
dc.description.referencesBoorstin, D. 2006[1961]. From Hero to Celebrity: The Human Pseudo-Event. In: David P. Marshall (ed.), The Celebrity Culture Reader, 72-91. Oxon: Routledge.pl
dc.description.referencesGodzic, W. 2007. Znani z tego, że są znani. Celebryci w kulturze tabloidów. [Well Known For Their Well Knownness. Celebrities in tabloid culture], Warszawa: Wydawnictwa Akademickie i Profesjonalne.pl
dc.description.referencesMarshall, D. P. 2006. Intimately Intertwined in the Most Public Way: Celebrity and Journalism. In: David P. Marshall (ed.), The Celebrity Culture Reader, 315-323. Oxon: Routledge.pl
dc.description.referencesPonce, de Leon, C. L. 2002. Self-Exposure: Human-Interest Journalism and the Emergence of Celebrity in America, 1890-1940. Chapel Hill: The University of North Carolina Press.pl
dc.description.referencesRojek, C. 2001. Celebrity. London: Reaktion Books, Ltd.pl
dc.description.referencesRothenbuhler, E.W. 2005. The Church of the Cult of the Individual. In: Eric W. Rothenbuhler & Mihai Coman (eds.), Media Anthropology, 91-100. London: Thousand Oaks.pl
dc.description.referencesSnider, Z. 2009. Big Bucks and Fake Tears: Celebrity Journalism’s Hyperreality. In: Robert C. Sickels (ed), The Business of Entertainment VOLUME 1 Movies, 217-231. Westport: Praeger.pl
dc.description.referencesWeingarten, M. 2005. The Gang that Wouldn’t Write Straight. Wolfe, Thompson, Didion, Capote & the New Journalism Revolution. New York: Three Rivers Press.pl
dc.identifier.eissn2300-6250-
dc.description.issue41 (2/2023)pl
dc.description.firstpage99pl
dc.description.lastpage103pl
dc.identifier.citation2Crossroads. A Journal of English Studiespl
dc.identifier.orcid0000-0002-8644-4723-
Występuje w kolekcji(ach):Crossroads. A Journal of English Studies, 2023, Issue 41
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