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http://hdl.handle.net/11320/15201
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Pole DC | Wartość | Język |
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dc.contributor.author | Espinosa Ruiz, Angela | - |
dc.date.accessioned | 2023-08-03T10:42:24Z | - |
dc.date.available | 2023-08-03T10:42:24Z | - |
dc.date.issued | 2022 | - |
dc.identifier.citation | Białorutenistyka Białostocka, T. 14, 2022, s. 137-148 | pl |
dc.identifier.issn | 2081-2515 | - |
dc.identifier.uri | http://hdl.handle.net/11320/15201 | - |
dc.description.abstract | The purpose of this article is to analyze the role of poetry and poets within the ongoing Belarusian 2020 revolutionary protests through the prominent example of Nasta Kudasava’s protest poems written between August 2020 and April 2021. In order to carry out the aforementioned analysis, we contextualize the concept of protest poetry within literary history in general and Belarusian language history in particular and also examine several extracts from Kudasava’s poetry (both pre- and post -2020) from a technical, lyrical, and problematical point of view. Our findings concerning the poet’s images, rhetorical figures, and formal patterns of choice, as well as the changes that her treatment of social and political issues has undergone over the latest years, have revealed the evolution of new tendencies within her works (specifically, of socially engaged poetry which was not significantly present in her texts before). This fact confirms our hypotheses that socio-political changes directly affect the development of literature and poetry in particular, while poets take on the role of society’s spokespeople through their art. | pl |
dc.language.iso | be | pl |
dc.publisher | Wydawnictwo Uniwersytetu w Białymstoku | pl |
dc.subject | Nasta Kudasava | pl |
dc.subject | Belarusian 2020 revolutionary protests | pl |
dc.subject | poetry | pl |
dc.title | “Нам балюча, а значыць – мы ёсць”: пратэстная лірыка Насты Кудасавай (2020–2021 гг.) | pl |
dc.title.alternative | “We Hurt, and That Means We Exist”: Nasta Kudasava’s Poetry of Protest (2020–2021) | pl |
dc.type | Article | pl |
dc.rights.holder | © Copyright by Uniwersytet w Białymstoku, Białystok 2022 | pl |
dc.identifier.doi | 10.15290/bb.2022.14.07 | - |
dc.description.Biographicalnote | Angela Espinosa Ruiz – doktor nauk filologicznych w zakresie literaturoznawstwa, Uniwersytet Warszawski, Wydział Lingwistyki Stosowanej, Katedra Białorutenistyki. | pl |
dc.description.Affiliation | Uniwersytet Warszawski | pl |
dc.description.references | Calderón de la Barca, P., La vida es sueño, Madrid 1640, https://www.cervan-tesvirtual.com/obra-visor/la-vida-es-sueno--0/html/fedc73fa-82b1-11df-acc7-002185ce6064_2.html [dostęp: 8.02.2022]. | pl |
dc.description.references | Kolas, Â., Symon -muzyka, Mìnsk 1925, https://knihi.com/Jakub_Kolas/Symon-muzyka.html [dostęp: 8.02.2020]. | pl |
dc.description.references | Kudasava N., Maë nevymaǔlâ, Mìnsk 2016 [Кудасава Н., Маё невымаўля, Мiнск 2016]. | pl |
dc.description.references | Kudasava N., teksty nieopublikowane, 2020–2021. | pl |
dc.description.references | McMillin, A., Politics and criticism in the work of young Belarusian poets, „Przegląd Wschodnioeuropejski” 2016, 7.1, s. 189–199. | pl |
dc.description.volume | 14 | pl |
dc.description.firstpage | 137 | pl |
dc.description.lastpage | 148 | pl |
dc.identifier.citation2 | Białorutenistyka Białostocka | pl |
dc.identifier.orcid | 0000-0002-5434-8403 | - |
Występuje w kolekcji(ach): | Białorutenistyka Białostocka, 2022, tom 14 |
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Plik | Opis | Rozmiar | Format | |
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BB_14_2022_A_Espinosa_Ruiz_Nam_baluca_a_znacycʹ_ my_escʹ.pdf | 166,81 kB | Adobe PDF | Otwórz |
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