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http://hdl.handle.net/11320/14973
Pełny rekord metadanych
Pole DC | Wartość | Język |
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dc.contributor.author | Szołtysek, Julia | - |
dc.date.accessioned | 2023-05-10T10:39:00Z | - |
dc.date.available | 2023-05-10T10:39:00Z | - |
dc.date.issued | 2022 | - |
dc.identifier.citation | Crossroads. A Journal of English Studies 39 (4/2022), pp. 17-33 | pl |
dc.identifier.uri | http://hdl.handle.net/11320/14973 | - |
dc.description.abstract | In 1939, when the world was but a step away from the irreversible, Ella Maillart and Annemarie Schwarzenbach set out from Engadine, an Alpine valley region in the eastern Swiss Alps, heading for Kabul, Afghanistan. The journey was far from safe; the greatest dangers, though, lurked not so much in the curves and bends of the road as in the recesses of Schwarzenbachʼs boyishly coiffed head. Through a close reading of Maillartʼs and Schwarzenbachʼs memoirs of the trip (The Cruel Way and All the Roads Are Open, respectively), endeavour to determine whether the journey was a means of escape from the impending doom of the war, especially given that they were both anti-fascists, or whether it was instead an attempt to cure Schwarzenbach of her addictions and help her recuperate after yet another stay at a mental hospital following a suicide attempt. Relying on Joseph Campbellʼs mythologically-informed concepts of the hero quest and Maureen Murdockʼs feminist rewriting of Campbellʼs theory, the articleʼs analysis of the two womenʼs accounts of the journey also aims to probe the question of how they performed themselves and staged their travelling bodies in writing on the shaky scene offered by, on the one hand, the limited space of the speeding car and, on the other, by the seemingly boundless expanses of the route they followed. | pl |
dc.language.iso | en | pl |
dc.publisher | The University of Białystok | pl |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Na tych samych warunkach 4.0 Międzynarodowe | - |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | - |
dc.subject | Joseph Campbe | pl |
dc.subject | Ella Maillar | pl |
dc.subject | Maureen Murdock | pl |
dc.subject | Annemarie Schwarzenbach | pl |
dc.subject | hero quest | pl |
dc.subject | journey | pl |
dc.subject | memoir | pl |
dc.subject | travelogue | pl |
dc.subject | travel writing | pl |
dc.subject | women on the road | pl |
dc.title | How to Disembark Completely: Annemarie Schwarzenbach’s and Ella Maillart’s Afghan Journey (1939) | pl |
dc.type | Article | pl |
dc.rights.holder | Creative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0) | pl |
dc.identifier.doi | 10.15290/CR.2022.39.4.02 | - |
dc.description.Email | julia.szoltysek@us.edu.pl | pl |
dc.description.Biographicalnote | Dr. Julia Szołtysek is an Assistant Professor at the University of Silesia in Katowice, Poland. Her academic interests include literary and artistic representations of the Middle East, travel writing, queer theory, and opera studies. She is the recipient of the 2016 Peter Lang Young Scholars Award. Her monograph A Mosaic of Misunderstanding: Occident, Orient, and Facets of Mutual Mis/Construal was published in 2016 by Peter Lang. | pl |
dc.description.Affiliation | University of Silesia in Katowice, Poland | pl |
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dc.description.references | Thompson, C. (ed.). 2016. The Routledge Companion to Travel Writing. London: Routledge. | pl |
dc.description.references | Conway, J. J. 2012. Death in Persia. Strange Flowers, 15 November. https://strangeflowers.wordpress.com/2012/11/15/death-in-persia/. Accessed 27 June 2022. | pl |
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dc.identifier.eissn | 2300-6250 | - |
dc.description.issue | 39 (4/2022) | pl |
dc.description.firstpage | 17 | pl |
dc.description.lastpage | 33 | pl |
dc.identifier.citation2 | Crossroads. A Journal of English Studies | pl |
dc.identifier.orcid | 0000-0001-7487-7807 | - |
Występuje w kolekcji(ach): | Crossroads. A Journal of English Studies, 2022, Issue 39 |
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Crossroads_39_2022_J_Szoltysek_How_to_Disembark_Completely.pdf | 180,86 kB | Adobe PDF | Otwórz |
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