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http://hdl.handle.net/11320/13777Pełny rekord metadanych
| Pole DC | Wartość | Język |
|---|---|---|
| dc.contributor.author | Kamionowski, Jerzy | - |
| dc.date.accessioned | 2022-08-26T11:35:12Z | - |
| dc.date.available | 2022-08-26T11:35:12Z | - |
| dc.date.issued | 2011 | - |
| dc.identifier.isbn | 978-83-7431-278-3 | - |
| dc.identifier.uri | http://hdl.handle.net/11320/13777 | - |
| dc.description | Zdigitalizowano i udostępniono w ramach projektu pn. Rozbudowa otwartych zasobów naukowych Repozytorium Uniwersytetu w Białymstoku, dofinansowanego z programu „Społeczna odpowiedzialność nauki” Ministra Edukacji i Nauki na podstawie umowy SONB/SP/512497/2021. | pl |
| dc.description.sponsorship | Wydanie publikacji sfinansowano ze środków Wydziału Filologicznego Uniwersytetu w Białymstoku | pl |
| dc.language.iso | pl | pl |
| dc.publisher | Wydawnictwo Uniwersytetu w Białymstoku | pl |
| dc.title | Głosy z „dzikiej strefy". Rewolucja, prywatność i feminizm w twórczości poetek pokolenia Ruchu Czarnej Sztuki: Soni Sanchez, Nikki Giovanni i Audre Lorde | pl |
| dc.type | Book | pl |
| dc.rights.holder | © Copyright by Uniwersytet w Białymstoku, Białystok 2011 | pl |
| dc.description.references | Giovanni Nikki, Black Feeling, Black Talk, Black Judgement, William Morrow: New York 1970. | pl |
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