REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
UwB

  1. Repozytorium Uniwersytetu w Białymstoku
  2. Czasopisma naukowe / Journals
  3. Crossroads. A Journal of English Studies
  4. Crossroads. A Journal of English Studies, 2021, Issue 35

Szukanie zaawansowane
  • Zespoły i Kolekcje


  • Zaloguj się
  • Zarejestruj się
  • Mój RUB
  • FAQ
  • Polityka
  • Regulamin
  • DOI
  • Instrukcja
  • Aspekty prawne
  • Open Access
  • Archiwum


  • Kontakt
  • O Dspace
  • Strona Biblioteki
  • Strona Uczelni



    • Proszę używać tego identyfikatora do cytowań lub wstaw link do tej pozycji: http://hdl.handle.net/11320/13281
    Pełny rekord metadanych
    Pole DCWartośćJęzyk
    dc.contributor.authorMondo, Costanza-
    dc.date.accessioned2022-05-18T08:21:43Z-
    dc.date.available2022-05-18T08:21:43Z-
    dc.date.issued2021-
    dc.identifier.citationCrossroads. A Journal of English Studies 35 (4/2021), pp. 4-16pl
    dc.identifier.urihttp://hdl.handle.net/11320/13281-
    dc.description.abstractIn By the Sea, written by Abdulrazak Gurnah in 2001, the theme of the homecoming is of paramount importance. The trajectory of the main characters’ movement is fragmented and incomplete in the sense that they end up feeling at home in a foreign country rather than choosing their birthplace, Zanzibar. By referring to selected scenes from Gurnah’s narrative, the present paper aims to analyse the images of home portrayed in the novel and the discontinuous character of the homecoming it depicts. In addition, the role of storytelling is investigated so as to show its importance for two related processes: homecoming and community-forging.pl
    dc.language.isoenpl
    dc.publisherThe University of Białystokpl
    dc.rightsUznanie autorstwa-Użycie niekomercyjne-Na tych samych warunkach 4.0 Międzynarodowepl
    dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/pl
    dc.subjectAbdulrazak Gurnahpl
    dc.subjectstorytellingpl
    dc.subjecthomepl
    dc.subjecthomecomingpl
    dc.subjectcommunity-forgingpl
    dc.titleDiscontinuous homecoming and community-forging storytelling in Abdulrazak Gurnah’s By the Seapl
    dc.typeArticlepl
    dc.rights.holderCreative Commons Attribution NonCommercial ShareAlike 4.0 International License (CC BY-NC-SA 4.0)pl
    dc.identifier.doi10.15290/CR.2021.35.4.01-
    dc.description.Emailcostanza.mondo@edu.unito.itpl
    dc.description.BiographicalnoteCostanza Mondo - is an MA student of Modern Languages and Literatures at the Department of Foreign Languages and Literatures and Modern Cultures of the University of Turin, Italy. Her undergraduate thesis, entitled “Uses of Satire in A Modest Proposal by Jonathan Swift and The Cockroach by Ian McEwan,” is concerned with satiric devices and the ties of the genre of satire with the historical context. She is interested in Postmodernism, Postcolonial literature, and Ecocriticism.pl
    dc.description.AffiliationUniversity of Turin, Italypl
    dc.description.referencesAbdulrazak Gurnah Facts. 2021. The Nobel Prize. https://www.nobelprize.org/prizes/literature/2021/gurnah/facts/. Accessed 20 Jan 2022.pl
    dc.description.referencesAdejunmobi, M. 1999. Routes: Language and the Identity of African Literature. The Journal of Modern African Studies 37: 581-596.pl
    dc.description.referencesAdichie, Ch. N. 2009. The Danger of a Single Story. TED Global.: https://www.ted.com/talks/chimamanda_ngozi_adichie_the_danger_of_a_single_story Accessed 18 January 2022.pl
    dc.description.referencesAnderson, B. 2006. Imagined Communities. London: Verso.pl
    dc.description.referencesBertinetti, P. 2010. English Literature. A Short History. Turin: Einaudi Editore.pl
    dc.description.referencesDeckard, S. 2010. Paradise Discourse, Imperialism, and Globalization. New York: Routledge.pl
    dc.description.references“The Fisherman’s Tale” in Refugee Tales III. 2019. Great Britain: Comma Press.pl
    dc.description.referencesGilroy, P. 1993. The Black Atlantic. London: Verso.pl
    dc.description.referencesGurnah, A. 2020. Afterlives. London: Bloomsbury.pl
    dc.description.referencesGurnah, A. 2001. By the Sea. London: Bloomsbury.pl
    dc.description.referencesGurnah, A. 2021. Nobel Lecture by Abdulrazak Gurnah. The Nobel Foundation.pl
    dc.description.referencesGurnah, A. 2004. Writing Place. World Literature Today 78: 26-28.pl
    dc.description.referencesHand, F. 2010. Untangling Stories and Healing Rifts: Abdulrazak Gurnah's By the Sea. Research in African Literatures 41: 74-92.pl
    dc.description.referencesHomer. 2006. The Odyssey. Robert Eagles (transl.), London: Penguin Classics.pl
    dc.description.referencesIqbal, R. 2019. Belonging, Colonialism and Arrival, Abdulrazak Gurnah Talks to Razia Iqbal. Wasafiri 34: 34-40.pl
    dc.description.referencesJones, N. 2005. Abdulrazak Gurnah in Conversation. Wasafiri 20: 37-42.pl
    dc.description.referencesKearney, J.A. 2006. Abdulrazak Gurnah and the “Disabling Complexities of Parochial Realities.” English in Africa 33: 47-58.pl
    dc.description.referencesLefteri, C. 2019. The Beekeeper of Aleppo. London: Manila Press.pl
    dc.description.referencesMohan, A. & Sreya M. D. 2019. “Arriving at writing”: A Conversation with Abdulrazak Gurnah. Postcolonial Text 14: 1-6.pl
    dc.description.referencesNewns, L. 2020. Domestic Intersections in Contemporary Migration Fiction. New York: Routledge.pl
    dc.description.referencesPiciucco, P. P. 2017. The Flawed Return: A Study of the Homecoming Theme in John Banville’s The Sea. The Australasian Journal of Irish Studies 17: 46-58.pl
    dc.description.referencesShakespeare, W. 2018. The Tempest. Oxford: Oxford World’s Classics.pl
    dc.description.referencesSteiner, T. 2013. A Conversation with Abdulrazak Gurnah. English Studies in Africa 56: 157-167.pl
    dc.description.referencesSteiner, T. 2009. Translated People, Translated Texts. London/New York: Routledge.pl
    dc.description.referencesSteiner, T. 2010. Writing “Wider Worlds”: The Role of Relation in Abdulrazak Gurnah's Fiction. Research in African Literatures 41: 124-135.pl
    dc.identifier.eissn2300-6250-
    dc.description.issue35 (4/2021)pl
    dc.description.firstpage4pl
    dc.description.lastpage16pl
    dc.identifier.citation2Crossroads. A Journal of English Studiespl
    dc.identifier.orcid0000-0002-2236-4580-
    Występuje w kolekcji(ach):Crossroads. A Journal of English Studies, 2021, Issue 35

    Pliki w tej pozycji:
    Plik Opis RozmiarFormat 
    Crossroads_35_2021_C_Mondo_Discontinuous_homecoming_and_community_forging_storytelling.pdf540,9 kBAdobe PDFOtwórz
    Pokaż uproszczony widok rekordu Zobacz statystyki


    Pozycja ta dostępna jest na podstawie licencji Licencja Creative Commons CCL Creative Commons