REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
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dc.contributor.authorFoulds, Peter-
dc.date.accessioned2014-07-15T07:47:07Z-
dc.date.available2014-07-15T07:47:07Z-
dc.date.issued2014-
dc.identifier.citationCrossroads. A Journal of English Studies 4 (1/2014), 50-58pl
dc.identifier.issn2300-6250-
dc.identifier.urihttp://hdl.handle.net/11320/1285-
dc.description.abstractIn a world where the arts have become one more target for multimedia corporations it is worth remembering the more authentic intertextuality of works which appeared around 1940, i.e. John Steinbeck’s "The Grapes of Wrath", Darryl F. Zanuck and John Ford’s film of the same name, and the songs of Woody Guthrie. Never before had literature,cinema and song been so intimately and powerfully linked, and nothing since has come near to replicating this unique symbiosis.pl
dc.language.isoenpl
dc.publisherThe University of Bialystokpl
dc.subjectDust Bowlpl
dc.subjectGreat Depressionpl
dc.subjectintertextualitypl
dc.titleSteinbeck, Guthrie and Zanuck: a Dust Bowl Triptych. The Intertextual Life of "The Grapes of Wrath" on Paper, Celluloid and Vinylpl
dc.typeArticlepl
dc.identifier.doi10.15290/cr.2014.04.1.04-
dc.description.Emailp.foulds@uwb.edu.plpl
dc.description.BiographicalnoteLondoner Peter Foulds (currently a lecturer at the University of Bialystok, Poland) has a particular interest in popular music as a medium for protest. He is also currently researching alimentary themes in the works of James Joyce.pl
dc.description.AffiliationThe University of Bialystokpl
dc.description.issue4 (1/2014)-
dc.description.firstpage50-
dc.description.lastpage58-
dc.identifier.citation2Crossroads. A Journal of English Studiespl
Występuje w kolekcji(ach):Artykuły naukowe (WFil)
Crossroads. A Journal of English Studies, 2014, Issue 4

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