REPOZYTORIUM UNIWERSYTETU
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Pole DCWartośćJęzyk
dc.contributor.authorKamionowski, Jerzy-
dc.date.accessioned2014-07-14T09:23:19Z-
dc.date.available2014-07-14T09:23:19Z-
dc.date.issued2013-
dc.identifier.citationCrossroads. A Journal of English Studies 3/2013, 12-21pl
dc.identifier.issn2300-6250-
dc.identifier.urihttp://hdl.handle.net/11320/1277-
dc.description.abstractThis article focuses on the question of changing landscapes in Rita Dove’s poetry, and its strict connection with her redefinition of the identity and role of a black poet. A constant movement through various sceneries in terms of space, culture and intellectual concerns is a distinguishing feature of Dove’s poetry. My analysis of her poems sets into motion an interplay of concepts such as: Lugones’s “ world”-travelling , Braidotti’s nomadism , Frye’s arrogant per - ception , Kent’s legitimate universal and Ellis’s cultural mulatto-ism . The purpose of this strategy is to demonstrate that Dove’s poetry permanently operates between the poles of nomadism and homecoming(s), where the two terms are not perceived as antinomical and mutually exclusive but as dialectical, mutually complementary. As a result, Dove avoids being pigeonholed as either an integrationist or separatist poet, transcending the traditional binary critical categories of classifying American black poets.pl
dc.language.isoenpl
dc.publisherThe University of Bialystokpl
dc.subjectblack(ness)pl
dc.subjectBlack Arts Movemenpl
dc.subjectcosmopolitanismpl
dc.subjectcultural mulattopl
dc.subjecthomecoming(s)pl
dc.subjectnomadismpl
dc.subjectuni - versalismpl
dc.subject“world”-travellingpl
dc.titleHomeward Dove: Nomadism, “World”- -Travelling, and Rita Dove’s Homecoming(s)pl
dc.typeArticlepl
dc.identifier.doi10.15290/cr.2013.03.02-
dc.description.Emailkamion1@gazeta.plpl
dc.description.BiographicalnoteJerzy Kamionowski is a professor at the Department of English at the University of Bialystok, Poland. He is the author of two books: Głosy z “dzikiej strefy” (Voices from the “wild zone”) (2011) on the poetry of Nikki Giovanni, Sonia Sanchez, and Audre Lorde, and New WIne in Old Bottles. Angela Carter’s Fiction (2000). He has published articles on women and African American writers and postmodernist novelists. He has also co-edited three volumes of critical essays on American women poets: Piękniejszy dom od Prozy (A Fairer House than Prose) (2005), O wiele więcej Okien (More numerous of Windows) (2008), and Drzwi szerzej Otworzyć (Superior – for Doors) (2011).pl
dc.description.AffiliationThe University of Bialystokpl
dc.description.issue3-
dc.description.firstpage12-
dc.description.lastpage21-
dc.identifier.citation2Crossroads. A Journal of English Studiespl
Występuje w kolekcji(ach):Artykuły naukowe (WFil)
Crossroads. A Journal of English Studies, 2013, Issue 3

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