Ja Króla-Ducha

Abstract

Starting from the recognition of the “narrative situation” in King-Spirit, the author characterises the protagonist of this poem as both self-describing and being described, shown in the process of reaching the Truth by recalling their own history and setting new goals. The story takes the form of a fragmentary and variant plot in which the King-Spirit appears in a number of his incarnations. They are linked by symbolic representations, including those of the statue and the pyramid, representing the division and the combination, multiplicity and unity, and the dynamism of change, evolutionary and revolutionary of aiming for a goal. An even more important category is the Word, understood as Logos-Christus. The Word is discovered as the creative spiritual warp of all of reality, the principle of transformation of the material forms of this world and at the same time the driving force behind the story of the King-Spirit. Through participation in the Word, the narrator becomes a dynamic “I”, describing the process of self-creation, constantly changing and striving for change. Therefore, in the description of the narrative construction of the poem, the category of the listener-reader becomes useful, presented as a decipherer and interpreter of a fragmentary text without a narrator, undertaking the process of reading as a work of self-processing by expanding one’s own awareness.