REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
UwB

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dc.contributor.authorMoroz, Grzegorz-
dc.date.accessioned2021-11-04T08:51:41Z-
dc.date.available2021-11-04T08:51:41Z-
dc.date.issued2017-
dc.identifier.isbn978-83-7657-210-9-
dc.identifier.urihttp://hdl.handle.net/11320/11858-
dc.description.abstractKsiążka stanowi zbiór artykułów poświęconych różnym aspektom twórczości Aldousa Huxleyapl
dc.description.sponsorshipPublished with the financial support of the Faculty of Philology, University of Bialystokpl
dc.language.isoenpl
dc.publisherWydawnictwo Prymatpl
dc.subjectHuxleypl
dc.subjectcontextspl
dc.subjectpapers novelspl
dc.subjectnon-fictionpl
dc.titleRecontextualising Huxley. Selected Paperspl
dc.typeBookpl
dc.rights.holderCopyright by: Grzegorz Moroz, Białystok 2017pl
dc.description.Emailg.moroz@uwb.edu.plpl
dc.description.BiographicalnoteGrzegorz Moroz jest anglistą, profesorem UwB, jego dwa główne obszary badawcze to twórczość Aldousa Huxleya oraz podróżopisarstwo polskie i anglojęzycznepl
dc.description.AffiliationUniwersytet w Białymstokupl
dc.description.referencesARNOLD, Matthew Arnold, Culture and Anarchy, Cambridge, Cambridge University Press, 1990 [1869].pl
dc.description.referencesASCHLIEMAN, M.D. Aschlieman, M.D. (2013) “The Best Picture?”, National Review, http://www.nationalreview.com/article/359094/greatest-painting-m-d-aeschliman, retrieved 15.03.2017.pl
dc.description.referencesBAKER, Robert S., The Dark Historic Page: Social Satire and Historicism in the Novels of Aldous Huxley, 1921–1939, Madison, University of Wisconsin Press, 1982.pl
dc.description.referencesBARRY. Peter, Beginning Theory: An Introduction to Literary and Cultural Theory, Manchester, Manchester University Press, 1995.pl
dc.description.referencesBEDFORD, Sybille, Aldous Huxley: A Biography, Knopf/Harper & Row, 1975.pl
dc.description.referencesBEDFORD, Sybille, Aldous Huxley: A Biography vol. I, London, Chatto & Windus/Collins, 1973.pl
dc.description.referencesBEDFORD, Sybille, Aldous Huxley: A Biography vol. II, London, Chatto & Windus/Collins, 1974.pl
dc.description.referencesBORN, Daniel, The Birth of Guilt in the English Novel: Charles Dickens to H.G. Wells, Chapel Hill, University of North Carolina, Press, 1995.pl
dc.description.referencesBOYM, Svetlana, The Future of Nostalgia, New York, Basic Books, 2001.pl
dc.description.referencesBRADSHAW, David, The Hidden Huxley: Contempt and Compassion for the Masses, London, Faber & Faber, 1994.pl
dc.description.referencesBRADSHAW, David, “Howards End”, in: The Cambridge Companion to E.M. Forster, ed. by David Bradshaw, Cambridge, Cambridge University Press, 2007, 151-172.pl
dc.description.referencesBUTCHER, Tim, “The Man Who Saved the Resurrection”, BBC News, 24 December 2011.pl
dc.description.referencesBUTLER, Samuel, Alps and Sanctuaries of Piedmont and Canton Ticino, Gloucester, Sutton, 1986 [1881].pl
dc.description.referencesBUZARD, Buzard, “The Grand Tour and After (1660–1840)”, in The Cambridge Companion to Travel Writing, ed. by Peter Hulme and Tim Youngs, Cambridge, Cambridge University Press, 2002, 37-52.pl
dc.description.referencesDISREALI, Benjamin, Sybille or the Two Nations, Rockville, Wildside Press, 2004 [1845].pl
dc.description.referencesEARL OF CHESTERFIELD, The Letters of Philip Dormer Stanhope, Earl of Chesterfield, with the Characters, vol. I, ed. John Bradshaw, London, S. Sonnenshein & Co, 1926.pl
dc.description.referencesENGLER, Barbara, Personality Theories: An Introduction, Boston, Houghton Miffin, 1985.pl
dc.description.referencesFIRCHOW, Peter, Aldous Huxley: Satirist and Novelist, Minneapolis, University of Minnesota Press, 1972.pl
dc.description.referencesFIRCHOW, Peter, The End of Utopia: A Study of Huxley’s Brave New World, Lewisburg, Bucknell University Press, 1979.pl
dc.description.referencesFORSTER, E.M., Howards End, Harmondsworth, Penguin, 1989 [1910].pl
dc.description.referencesFUSSELL, Paul, Abroad: British Literary Traveling Between the Wars, Oxford and New York, Oxford University Press, 1980.pl
dc.description.referencesHOLT, Richard, Sport and the British: The Modern History, Oxford, Oxford University Press, 1997 [1987].pl
dc.description.referencesHUXLEY, Aldous, After Many a Summer Dies the Swan, New York, Harper & Row, 1965 [1939].pl
dc.description.referencesHUXLEY, Aldous, Along the Road: Notes and Essays of a Tourist, New York, Ecco Pres, 1989 [1925].pl
dc.description.referencesHUXLEY, Aldous, Antic Hay, New York, Harper & Row, 1965 [1923].pl
dc.description.referencesHUXLEY, Aldous, Brave New World, Harmondsworth, Penguin, 1972 [1932].pl
dc.description.referencesHUXLEY, Aldous, Brave New World Revisited, London, Chatto & Windus, 1987 [1958].pl
dc.description.referencesHUXLEY, Aldous, Complete Essays: Volume III, Chicago, Ivor R. Dee, 2001.pl
dc.description.referencesHUXLEY, Aldous, Complete Essays VI, ed. Robert S. Baker and James Saxton Chicago, Ivor R. Dee, 2002.pl
dc.description.referencesHUXLEY, Aldous, Eyeless in Gaza, New York, Bantam Books, 1964 [1936].pl
dc.description.referencesHUXLEY, Aldous, Island, New York, Perennial Classics, 2002 [1962].pl
dc.description.referencesHUXLEY, Aldous, Letters of Aldous Huxley, ed. by Grover Smith, New York, Harper & Row, 1969.pl
dc.description.referencesHUXLEY, Aldous, Point Counter Point: A Novel, Harmondsworth, Penguin, 1955 [1928].pl
dc.description.referencesHUXLEY, Aldous, “Shakespeare and Religion”, www.sirbacon.org, retrieved 20.03.2004. [1963].pl
dc.description.referencesHUXLEY, Aldous, The Doors of Perception, New York, Harpercollins, 1990 [1954].pl
dc.description.referencesHUXLEY, Aldous, The Perennial Philosophy, New York, Harper & Brothers, 1945.pl
dc.description.referencesHUXLEY, Laura, This Timeless Moment: A Personal View of Aldous Huxley, Berkeley, Celestial Arts, 2000.pl
dc.description.referencesHUXLEY, Aldous, Those Barren Leaves, New York, Avon Books, 1925 [1925].pl
dc.description.referencesHUXLEY, Aldous, Time Must Have a Stop, New York, Harper & Brothers, 1944.pl
dc.description.referencesHUXLEY, Aldous, “Who Are You?”, in: Harper’s Magazine 189 (1944), 512-522.pl
dc.description.referencesJUMP. J.D., Matthew Arnold, London, Longmans, 1977 [1955].pl
dc.description.referencesKOPALIŃSKI, Władysław, Słowniki mitów i tradycji kultury, Warszawa, PIW, 1985.pl
dc.description.referencesLASSELS, Richard, An Italian Voyage, Or a Compleat Journey Through Italy, London, Richard Wellington and B, Barnard Lintot, 1697 [1670].pl
dc.description.referencesLAWRENCE, D.H., Sons and Lovers, Oxford, Oxford University Press, 1995 [1913].pl
dc.description.referencesLODGE, David, “Forster’s Flawed Masterpiece”, in: Consciousness and the Novel: Connected Essays, Cambridge, Mass., Harvard University Press, 2002.pl
dc.description.referencesLODGE, David, “Tono-Bungay and the Condition of England” in: Language of Fiction: Essays in Criticism and Verbal Analysis of the English Novel, London, Routledge, 2002 [1966], 227-258.pl
dc.description.referencesMACDOUGALL, Sarah, Mark Gertler, London, John Murray, 2002.pl
dc.description.referencesMADDOX, Brenda, D.H. Lawrence: The Story of a Marriage, New York, Simon & Schuster, 1994.pl
dc.description.referencesMAY, Keith, Aldous Huxley, London, Paul Ellek Books, 1972.pl
dc.description.referencesMAY, Keith, “Huxley’s Marriage of Heaven and Hell”, in: Now More Than Never: Proceedings of the Aldous Huxley Centenary Symposium, Münster 1994, ed. by Bernfried Nugel, Frankfurt am Main, 1995, 335-346.pl
dc.description.referencesMECKIER, Jerome, “Aldous Huxley and Experiment: The Case of Point Counter Point” Aldous Huxley Annual, Volume 14 (2014), 179-198.pl
dc.description.referencesMECKIER, Jerome Meckier, “On D.H. Lawrence and Death, Especially Matricide: Sons and Lovers, Brave New World, and Aldous Huxley’s Later Novels”, in: Aldous Huxley Annual, Volume 7 (2007), 185-222.pl
dc.description.referencesMURRAY, Nicholas, Aldous Huxley: An English Intellectual, London, Abacus, 2003[2002].pl
dc.description.referencesMUZINA, Matej Muzina, “Aldous Huxley and W.H. Sheldon’s Psychology of Constitutional Differences”, Studia Romanica et Anglicana Zagrebiensi 40 (1975), 89-112.pl
dc.description.referencesROSECRANCE, Barbara, Forster’s Narrative Vision, Ithaca, Cornell University Press, 1982.pl
dc.description.referencesRUSKIN, John, Mornings in Florence: Being Simple Studies of Christian Art for English Travellers, Orpington, G. Allen, 1875.pl
dc.description.referencesSAWYER, Dana, Aldous Huxley: A Biography, New York, Crossroad Publishing, 2002.pl
dc.description.referencesSCHOLES, Robert, The Rise and Fall of English. Reconstructing English as a Discipline, New Haven and London, Yale University Press, 1998.pl
dc.description.referencesSHELDON, William, The Varieties of Temperament, New York, Harper & Brothers, 1942.pl
dc.description.referencesSHERBORNE, Michael, York Notes: Brave New World, Aldous Huxley, London, Greener Books, 1988.pl
dc.description.referencesSTORY, William Wetmore, Roba di Roma, vol. I, London, Chapman & Hall, 1863.pl
dc.description.referencesTINDALL, William York, Forces in Modern British Literature, 1885–1956, New York, Vintage, 1956.pl
dc.description.referencesTRILLING, Lionel and Harold Bloom, The Oxford Anthology of English Literature; Volume V: Victorian Poetry and Prose, New York, Oxford University Press, 1973.pl
dc.description.referencesWILLIAMS, Raymond, The Country and the City, London, Chatto & Windus, 1973.pl
dc.description.referencesWOODCOCK, George Woodcock, Dawn and the Darkest Hour: A Study of Aldous Huxley Montreal, Black Rose Books, 2006 [1972].pl
dc.description.referencesZDANSKI, Clarice, “Samuel Butler, Local Identity and the Periodizing of Northern Italian Art: The Travel Writer-Painter’s View of Art History”, in: Samuel Butler, Victorian Against the Grain: A Critical Overview, ed. by James G. Paradise, Toronto, Scholarly Publishing Division 2007, 223-250.pl
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