Речовий світ людини у створенні метафоричного художнього простору у творах С. Поваляєвої Ексгумація міста та М. Туллі Сни й камені

Abstract

This article discusses peculiarities of the implementation of the French new novel basic principles іn the postmodern texts on the basis of the works "Exhumation of the city" by S. Povalyayeva and "Dreams and stones" by M. Tully. There are such peculiarities as shozyzm (a thing arises in its physical, rather than semantic essence, it is a metaphor for the thing’s independence in the industrial society; thing serves as a sign of civilization) and emphasizing the semiotic nature of reality, its allegorical ambiguity, game nature of the text. It is traced that in the analyzed texts an industrial thing through its mass conquers a person to himself. A person is perceived as “footprint” of the thing; having lost his own essence, it becomes a simulacrum of postindustrial society - society of the replicated products and advertised requirements. Evaluation is not actualized, there is irony, even in relation to the cinematographic method of “eye camera” that would objectively attest to the physical nature of objects without regard to the evaluation in terms of human. It’s growing writers’ attention to the text reality which does not require a direct correlation with reality, only at the level of allusions, text codes, semantic clichés. Recipient is not a member of creative play, but its dominant figure, the interpretive focus. The character is represented on the border of existence / disappearance or reality / fictitious (textual convention). The role of the recipient is changed, now it creates its own interpretation of the world and become the hero of the work and its interpretive focus.