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http://hdl.handle.net/11320/18913
Pełny rekord metadanych
Pole DC | Wartość | Język |
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dc.contributor.author | Feldman-Kołodziejuk, Ewelina | - |
dc.date.accessioned | 2025-10-01T07:15:36Z | - |
dc.date.available | 2025-10-01T07:15:36Z | - |
dc.date.issued | 2024 | - |
dc.identifier.citation | Les cultures du Canada: au-delà du passé, vers l'avenir = The Cultures of Canada: beyond the past, towards the future, edited by Cristina Brancaglion, Marco Modenesi, Oriana Palusci, Trento 2024, pp. 247-263 | pl |
dc.identifier.isbn | 978-88-6458-271-9 | - |
dc.identifier.uri | http://hdl.handle.net/11320/18913 | - |
dc.description.abstract | The aim of this chapter is to analyze the emotional geography of contemporary St. John’s in the debut novel by Mi’kmaq descent writer Megan Gail Coles (2019). It focuses on how the characters perceive their city, whether it offers a desired haven to outsiders from other parts of Newfoundland and Labrador due to its economic potential or whether it is a site of violent oppression with no family and friends to offer protection and emotional support. The critical tools employed for the analyses borrow from space and literary studies. In particular, the chapter studies the novel through the lens of emotional geography, poverty narrative, and the Gothic, respectively, and demonstrates the ethical involvement of the writer in the critical investigation of classist, sexist, and racist discourses present in contemporary Newfoundland and Labrador. | pl |
dc.language.iso | en | pl |
dc.publisher | Tangram Edizioni Scientifiche | pl |
dc.relation.ispartofseries | Collana Dialogues;04 | - |
dc.subject | Newfoundland | pl |
dc.subject | Newfie | pl |
dc.subject | St. John's | pl |
dc.subject | poverty narrative | pl |
dc.subject | rape | pl |
dc.subject | emotional geography | pl |
dc.subject | Atlantic gothic | pl |
dc.subject | gothic | pl |
dc.title | The emotional geography of St. John’s in Megan Gail Coles’ Small Game Hunting at the Local Coward Gun Club | pl |
dc.type | Book chapter | pl |
dc.rights.holder | Copyright © 2024 Tangram Edizioni Scientifiche | pl |
dc.description.Biographicalnote | Ewelina Feldman-Kołodziejuk, Ph.D., is assistant professor at the University of Białystok, Poland. Her publications focus on the literary representations of motherhood and literary geography in the North American context. In April – July 2022, she was a Visiting Fellow at The Robarts Centre for Canadian Studies at York University, Toronto, Canada. Her current research project pertains to the literary representations of Newfoundland. | pl |
dc.description.references | Anderson, Kay, Smith, Susan 2001, “Editorial: Emotional Geographies”. Transactions of the Institute of British Geographers, 26: pp. 7-10. | pl |
dc.description.references | Beaton, Kate 2022. Ducks: Two Years in the Oil Sands. London: Jonathan Cape. | pl |
dc.description.references | Borowska-Szerszun, Sylwia 2019. “Representation of Rape in George R.R. Martin’s A Song of Ice and Fire and Robin Hobb’s Liveship Traders”. Extrapolation 60/1: pp. 1-22. | pl |
dc.description.references | Bresge, Adina 2019. “Women rewrite the East Coast gothic to evoke contemporary horrors”. Toronto Star, December 31, 2019. https://www.thestar.com/entertainment/books/women-rewrite-the-east-coast-gothic-to-evoke-contemporary-horrors/article_160f2ab6-848d-544d-8c39-1051ed62c744.html. | pl |
dc.description.references | CBC Books 2019. “Small Game Hunting at the Local Coward Gun Club by Megan Gail Coles”. May 24, 2019. https://www.cbc.ca/books/small-game-hunting-at-the-local-coward-gun-club-by-megan-gail-coles-1.5148307. | pl |
dc.description.references | Chafe, Paul 2020. “It Was a Strange New World, It Was’: Queering Place and Place Myths in Contemporary Newfoundland and Labrador Literature”. Journal of Canadian Studies, 54/2-3: pp. 266-289. | pl |
dc.description.references | Coles, Megan Gail 2017. Squawk. Toronto: Playwrights Canada Press. | pl |
dc.description.references | Coles, Megan Gail 2019. Small Game Hunting at the Local Coward Gun Club. Toronto: House of Anansi Press. | pl |
dc.description.references | Crummey, Michael 2019. Most of What Follows is True: Places Real and Imagined. Edmonton: University of Alberta Press. | pl |
dc.description.references | Darias-Beautell, Eva 2019. “Who said ‘vulnerable? Literature, Canada, precarity, affect”. Journal of Postcolonial Writing, 55/4: pp. 445-458. | pl |
dc.description.references | Delisle, Jennifer Bowering 2013. The Newfoundland Diaspora: Mapping the Literature of Out-migration. Waterloo, Ontario: Wilfrid Laurier. | pl |
dc.description.references | De Vos, Laura, Willman, Michele R. 2021. “Settler colonial praxis and gender in contemporary times”. Settler Colonial Studies, 11/2: pp. 103-117. | pl |
dc.description.references | Edwards, Danielle 2021. “Halifax author tackles notorious tale of N.S. family in new novel”. The Daily Courier, April 21, 2021. https://www.kelownadailycourier.ca/atlantic/article_0671b27e-e0ad-525f-84a5-95efcb6ee89c.html. | pl |
dc.description.references | Fowler, Adrian 2015. “Townie Lit: Newfoundland Refocused in the Writing of Lisa Moore and Michael Winter”. In María Jesús Hernáez Lerena ed. Pathways of Creativity in Contemporary Newfoundland and Labrador. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 93-122. | pl |
dc.description.references | Fuller, Danielle 2004. Writing the Everyday: Women’s Textual Communities in Atlantic Canada. Montreal: McGill-Queen’s University Press. | pl |
dc.description.references | Healicon, Alison 2016. The Politics of Sexual Violence: Rape, Identity and Feminism. Basingstoke: Palgrave Macmillan. | pl |
dc.description.references | Horeck, Tanya 2004. Public Rape: Representing Violation in Fiction and Film. London: Routledge. | pl |
dc.description.references | Jones, Owain 2007. “An Ecology of Emotion, Memory, Self and Landscape”. In Joyce Davidson et al. (eds). Emotional Geographies. Aldershot: Ashgate Publishing Company, pp. 205-218. | pl |
dc.description.references | Miller, Theresa L., Volmert, Andrew 2021. Talking About Poverty: Narratives, Counter-Narratives, and Telling Effective Stories. Washington (DC): FrameWorks Institute. | pl |
dc.description.references | Moore, Lisa 2005. Alligator. Toronto: House of Anansi Press. | pl |
dc.description.references | Pile, Steve 2002. “Memory and The City”. In Jan Campbell, Janet Harbord (eds). Temporalities, Autobiography and Everyday Life. Manchester: Manchester University Press, pp. 111-127. | pl |
dc.description.references | Pile, Steve 2010. “Emotions and affect in recent human geography”. Transactions of the Institute of British Geographers, 35: pp. 5-20. | pl |
dc.description.references | Punter, David, Byron, Glennis 2004. The Gothic. Oxford: Blackwell Publishing. | pl |
dc.description.references | Rimstead, Roxanne 2008. “Knowable Communities’ in Canadian Criticism”. Review: Literature and Arts of the Americas, 41/1: pp. 43-53. | pl |
dc.description.references | Rigelhof, Terrence Frederick 2005. “Sex and the Newfoundland city” The Globe and Mail, September 24, 2005. https://www.theglobeandmail.com/arts/sex-and-the-newfoundland-city/article739030/ | pl |
dc.description.references | Simpson, Audra 2016. “The State Is a Man: Theresa Spence, Loretta Saunders, and the Gender of Settler Sovereignty”. In Sunera Thobani ed. Coloniality and Racial (In)Justice in the University: Counting for Nothing? Toronto: University of Toronto Press, pp. 136-162. | pl |
dc.description.references | Tremblay, Tony 2016. “‘People Are Made of Places’: Perspectives on Region in Atlantic-Canadian Literature”. In Cynthia Sugars ed. The Oxford Handbook of Canadian Literature. New York: Oxford University Press, pp. 657-675. | pl |
dc.description.references | Trnka, Alexandra 2021. Review of [Megan Gail Coles. Small Game Hunting at the Local Coward Gun Club]. Newfoundland and Labrador Studies, 36/1: pp. 141-144. | pl |
dc.description.references | Warley, Linda 2014. “Remembering Poverty: Bannock, Beans, and Black Tea, a Tale of Two Lives”. In Cynthia Sugars, Eleanor Ty (eds). Canadian Literature and Cultural Memory. Don Mills: Oxford University Press, pp. 134-150. | pl |
dc.description.references | Winter, Kathleen 2011. Annabel. London: Vintage Books. | pl |
dc.description.firstpage | 247 | pl |
dc.description.lastpage | 263 | pl |
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