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    • Proszę używać tego identyfikatora do cytowań lub wstaw link do tej pozycji: http://hdl.handle.net/11320/14813
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    Pole DCWartośćJęzyk
    dc.contributor.authorSawczuk, Tomasz-
    dc.date.accessioned2023-03-28T11:54:25Z-
    dc.date.available2023-03-28T11:54:25Z-
    dc.date.issued2019-
    dc.identifier.citationExhaustion and Regeneration in Post-Millennial North-American Literature and Culture, eds. Julia Nikiel, Izabella Kimak, Berlin 2019, pp. 115-123pl
    dc.identifier.isbn978-3-631-79557-6 (Print)-
    dc.identifier.isbn978-3-631-79965-9 (E-PDF)-
    dc.identifier.isbn978-3-631-79966-6 (EPUB)-
    dc.identifier.isbn978-3-631-79967-3 (MOBI)-
    dc.identifier.urihttp://hdl.handle.net/11320/14813-
    dc.description.abstractThe aim of this chapter is to demonstrate how Twin Peaks: The Return hints at the exhaustion of contemporary television series format while simultaneously regenerating it and inviting the audiences into new modes of audiovisual communication. A special focus falls on the affinity between The Return and an early 20th-century art movement of Suprematism.pl
    dc.language.isoen_USpl
    dc.publisherPeter Langpl
    dc.relation.ispartofseriesNew Americanists in Poland;ISSN 2191-2254 ; vol. 12-
    dc.subjectVisual Studiespl
    dc.subjectFilm Studiespl
    dc.subjectDavid Lynchpl
    dc.subjectSuprematismpl
    dc.subjectTV seriespl
    dc.subjectKazimir Malevichpl
    dc.subjectTwin Peakspl
    dc.subjecttelevisual aestheticspl
    dc.subject(meta)serialitypl
    dc.titleHow the World of TV Series Spins: Exhaustion and Regeneration in Twin Peaks: The Returnpl
    dc.typeBook chapterpl
    dc.rights.holder© Peter Lang GmbH Internationaler Verlag der Wissenschaften, Berlin 2019pl
    dc.description.Emailt.sawczuk@uwb.edu.plpl
    dc.description.referencesCameron, Ed. "The Thing 'Chants Out Between Two Worlds' : Surreal Latency in the Twin Peaks Universe:' Horror Television in the Age of Consumption: Binging on Fear, edited by Kimberly Jackson and Linda Belau, Routledge, 2017, pp. 45-61.pl
    dc.description.referencesConlin, Lindsey, et al. "Time-shifting vs. Appointment Viewing: The Role of Fear of Missing Out within TV Consumption Behaviors:' Communication and Society, vol. 29, no. 4, 2016, pp. 151-164.pl
    dc.description.referencesFoster, Hal, et al. Art Since 1900: Modernism, Antimodernism, Postmodernism. Thames & Hudson, 2011.pl
    dc.description.referencesMa, Aliza. "Now It's Dark: Twin Peaks: The Return:' Film Comment, November/December 2017, www.filmcomment.com/ article/ now-its-dark-twin-peaksthe-return-david-lynch/. Accessed 8 Apr. 2018.pl
    dc.description.referencesMatrix, Sidneyeve. "The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends:' Jeunesse: Young People, Texts, Cultures, vol. 6, issue 1, 2014, pp. 119-138.pl
    dc.description.references"My Log Has a Message for You:' Twin Peaks, created by David Lynch and Mark Frost, directed by David Lynch, season 3, episode 1, CBS Corporation, 2017.pl
    dc.description.referencesNéret, Giles. Malevich. Taschen, 2003.pl
    dc.description.referencesOlson, Greg. David Lynch: Beautiful Dark. Scarecrow Press, 2008.pl
    dc.description.referencesSkrzypczyk, Jędrzej. "Blaski i cienie telewizji przesytu." Ekrany, vol. 3-4, 2017, pp. 94-99.pl
    dc.description.referencesSnider, Zachary. "The Cognitive Psychological Effects of Binge Watching: Is Netflix Ruining Viewer Empathy for Popular Television?" The Netflix Effect: Technology and Entertainment in the 21st Century, edited by Kevin McDonald and Daniel Smith-Rowsey, Bloomsbury, 2016, pp. 117-128.pl
    dc.description.referencesSodano, Todd M. "Television's Paradigm (Time)shift: Production and Consumption Practices in the Post-Network Era:' Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming, edited by Melissa Ames, University Press of Mississippi, 2012, pp. 27-42.pl
    dc.description.referencesStachowicz, Marcin. "Frailty and Transience: David Lynch Looking at the Body." David Lynch. Polskie spojrzenia, edited by Anna Osmólska-Mętrak and Radoslaw Osinski, Fundacja Tumult, 2017, pp. 80-85.pl
    dc.description.referencesStevens, Brad. "How Twin Peaks stretches television into the unknown." Sight & Sound, 12 March 2018, www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/twin-peaks-david-lynch-stretches-television-unknown/. Accessed 9 Apr. 2018.pl
    dc.description.referencesSudmann, Andreas. "Watching Lost and Experiencing Outbidding (Überbietung) as a Serial Form." Lost in Media, edited by Benjamin Beil et al., LIT Verlag, 2018, pp. 97-116.pl
    dc.description.references"The Past Dictates the Future." Twin Peaks, created by David Lynch and Mark Frost, directed by David Lynch, season 3, episode 17, CBS Corporation, 2017.pl
    dc.description.referencesThirlwell, Adam. "Small-Time Noir." The New York Review of Books, vol. 63, no. 17, 2017, www.nybooks.com/articles/2017/11/09/twin-peaks-small-town-noir/. Accessed 10 Apr. 2018.pl
    dc.description.references"Twin Peaks Final Episodes Synced." You Tube, uploaded by VoorDeFilm, 9 Sept. 2017, www.youtube.com/watch?v=3nOFipZxrWo. Accessed 16 Apr. 2018.pl
    dc.description.references"What Is Your Name?" Twin Peaks, created by David Lynch and Mark Frost, directed by David Lynch, season 3, episode 18, CBS Corporation, 2017.pl
    dc.description.references"What Story is That, Charlie?" Twin Peaks, created by David Lynch and Mark Frost, directed by David Lynch, season 3, episode 13, CBS Corporation, 2017.pl
    dc.description.referencesWohlmann, Anita, and Julia Reichenpfader. "Serial Cougars: Representations of a Non-Normative Lifestyle in a Sitcom, an Episodic Serial, and a Soap Opera." Serializing Age: Aging and Old Age in TV Series, edited by Maricel Oró-Piqueras and Anita Wohlmann, Transcript-Verlag, 2016, pp. 159-186.pl
    dc.description.firstpage115pl
    dc.description.lastpage123pl
    dc.identifier.citation2Exhaustion and Regeneration in Post-Millennial North-American Literature and Culture, eds. Julia Nikiel, Izabella Kimakpl
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