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    • Proszę używać tego identyfikatora do cytowań lub wstaw link do tej pozycji: http://hdl.handle.net/11320/14803
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    Pole DCWartośćJęzyk
    dc.contributor.authorSawczuk, Tomasz-
    dc.date.accessioned2023-03-23T08:35:37Z-
    dc.date.available2023-03-23T08:35:37Z-
    dc.date.issued2010-
    dc.identifier.citationAMERICANA - E-Journal of American Studies in Hungary, vol. 6, No 2, Fall 2010pl
    dc.identifier.issn1787-4637-
    dc.identifier.urihttp://hdl.handle.net/11320/14803-
    dc.description.abstractWhen thinking about nature as a tool used by the masters of American Gothic, it seems impossible not to mention at least two things. The first one is the impact of their British forerunners and counterparts. The second appears to be even more crucial as it is said to stand behind the entirety of American Gothic, or even Gothic as a whole, and this is the reference to the ideas of Edmund Burke and Immanuel Kant. The aim of the following work is to analyze the philosophical grounds of American Gothic and to illustrate various functions of nature in this particular literary genre exploited by American writers.pl
    dc.language.isoenpl
    dc.publisherDepartment of American Studies, University of Szegedpl
    dc.rightsAttribution-NonCommercial 4.0 International (CC BY-NC 4.0)*
    dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/*
    dc.subjectEdmund Burkepl
    dc.subjectAmerican Gothic literaturepl
    dc.subjectCharles Brockden Brownpl
    dc.subjectRichard Henry Danapl
    dc.subjectthe sublimepl
    dc.subjectImmanuel Kantpl
    dc.subjectLiterature and naturepl
    dc.titleThe Use of Nature in American Gothicpl
    dc.typeArticlepl
    dc.rights.holderCreative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)pl
    dc.description.Emailt.sawczuk@uwb.edu.plpl
    dc.description.AffiliationDepartment of Philology, University of Bialystok, Polandpl
    dc.description.referencesBrown, Charles Brockden. 1984. Edgar Huntly or Memoirs of a Sleep-Walker. (Edited by Sydney J. Krause and S. W. Reid.) Kent, OH: Kent State University Press.pl
    dc.description.referencesBrown, Charles Brockden. 1987. “Somnambulism. A Fragment,” in Somnambulism and Other Stories. (Edited by Alfred Weber.) Frankfurt a/M.: Peter Lang, 158-179.pl
    dc.description.referencesBurke, Edmund. 1999. “A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and the Beautiful”, The Portable Edmund Burke. (Edited by Isaac Kramnick.) New York: Pinguin Books, 63-81.pl
    dc.description.referencesDana, Richard Henry, Sr. 1850. “Paul Felton”, Poems and Prose Writings I. New York: Scribner and Baker, 333-345.pl
    dc.description.referencesDrake, Nathan. 2000. “On Objects of Terror”, Gothic Documents. A Sourcebook 1700-1820. (Edited by E.J. Clery and Robert Miles.) Manchester & New York: Manchester University Press, 160-163.pl
    dc.description.referencesHawthorne, Nathaniel. 1937. “Young Goodman Brown”, The Complete Novels and Selected Tales of Nathaniel Hawthorne. (Edited by Norman Holmes Pearson.) New York: Random House, Inc., 1033-1042.pl
    dc.description.referencesKant, Immanuel. 2004. The Critique of Judgment. (Translated by James Creed Meredith.) (http://etext.library.adelaide.edu.au/k/kant/immanuel/k16j) (date of access: 9 Apr. 2007).pl
    dc.description.referencesPoe, Edgar Allan. 1997. The Fall of the House of Usher.(http://www.gutenberg.org/etext/932) (date of access: 1 Jun. 2007).pl
    dc.description.referencesWolf, Bryan. 1986. “When is Painting Most Like a Whale?: Ishmael, Moby-Dick, and the Sublime”, New Essays on Moby Dick. (Edited by Richard H. Brodhead.) Cambridge: Cambridge University Press, 141-179.pl
    dc.description.volume6pl
    dc.description.number2pl
    dc.identifier.citation2AMERICANA - E-Journal of American Studies in Hungarypl
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