"What is Africa to Me?" Harlem Renaissance in Quest for Africa/Identity

Pole DC	Wartość	Język
dc.contributor.author	Głębocki, Zdzisław	-
dc.date.accessioned	2022-10-03T09:47:24Z	-
dc.date.available	2022-10-03T09:47:24Z	-
dc.date.issued	2006	-
dc.identifier.citation	Semantic Relations in Language and Culture. Proceedings of the International Conference, Białystok, 24-26 October 2005, ed. by Krzysztof Bogacki and Anna Miatluk, Białystok 2006, s. 377-385	pl
dc.identifier.isbn	978-83-7431-072-7	-
dc.identifier.uri	http://hdl.handle.net/11320/13902	-
dc.description	Zdigitalizowano i udostępniono w ramach projektu pn. Rozbudowa otwartych zasobów naukowych Repozytorium Uniwersytetu w Białymstoku, dofinansowanego z programu „Społeczna odpowiedzialność nauki” Ministra Edukacji i Nauki na podstawie umowy SONB/SP/512497/2021.	pl
dc.language.iso	en	pl
dc.publisher	Wydawnictwo Uniwersytetu w Białymstoku	pl
dc.title	"What is Africa to Me?" Harlem Renaissance in Quest for Africa/Identity	pl
dc.type	Book chapter	pl
dc.rights.holder	Copyright © by Uniwersytet w Białymstoku, Białystok 2006	pl
dc.description.Affiliation	University of Bialystok	pl
dc.description.references	BARKSDALE B. K. (1977) Langston Hughes: The Poet and His Critics. Chicago.	pl
dc.description.references	BOIS Y. (1990) Painting as Model. Cambridge, Mass.	pl
dc.description.references	CULLEN GRUESSER C. (2000) Black on Black: Twentieth-Century African American Writing about Africa. University Press Kentucky.	pl
dc.description.references	DU BOIS W.E.B. (1986) Dusk of Dawn in W.E.B. Du Bois Writings. New York.	pl
dc.description.references	FAITH M. (2001) The Syncopated Africa: Constructions of Origins in the Harlem Renaissance (Literature, Music, Visual Arts (in:) G. FABRE AND M. FAITH, Temples for Tomorrow. Looking Back at the Harlem Renaissanee. Bloomington.	pl
dc.description.references	GEOFFREY-SCHNEITER B. G (2000) Tribal Arts. New York.	pl
dc.description.references	GOMBRICH E. (1995) The Story of Art. London.	pl
dc.description.references	HOLLOWAY J. S. (2002) What is America To Me? Defining Black Life Through The Motherland (in:) Reviews in American History, 31.1.2002.	pl
dc.description.references	HUGHES L. (1986) The Big Sea. An Autobiography. New York.	pl
dc.description.references	HUGHES L. (1994) The Collected Poems of Langston Hughes. New York.	pl
dc.description.references	LOCKE A. (1925) The New Negro. Voices of the Harlem Renaissanee. New York.	pl
dc.description.references	MERIWETHER J. H. (2002) Proudly We Can Be Africans: Black Americans and Africa, 1935-1961. Chapel Hill.	pl
dc.description.references	SMETHURST E. J. (1999) The New Red Negro: The Literary Left and African American Poetry, 1930-1946. New York.	pl
dc.description.references	SMITH R. (1997) Langston Hughes: Evolution of the Poetic Persona (in:) V. A. KRAMER and R.A. Russ, The Harlem Renaissanee Re-Examined. Troy	pl
dc.description.references	Survey Graphic, Vol. VI, No. 6, March 1925.	pl
dc.description.references	ULLENDORFF E. (1989) Ethiopia and the Bibie. British Academy and the Museums.	pl
dc.description.firstpage	377	pl
dc.description.lastpage	385	pl
dc.identifier.citation2	Semantic Relations in Language and Culture. Proceedings of the International Conference, Białystok, 24-26 October 2005, ed. by Krzysztof Bogacki and Anna Miatluk	pl
Występuje w kolekcji(ach):	Książki / Rozdziały (WUwB) Materiały konferencyjne (WFil)

Pliki w tej pozycji:

Plik	Opis	Rozmiar	Format
Z_Glebocki_What_is_Africa_to_Me.pdf		434,25 kB	Adobe PDF	Otwórz

Pokaż uproszczony widok rekordu Zobacz statystyki