Одеський мотив у сценічній долі Марка Кропивницького

Abstract

The article is dedicated to the investigation of the cultural life in Odessa, and also forming of actor talent Marko Kropyvnyts’ky. The main concepts of the vision of theater as an important socio-historical and artistic events in the life of Ukraine are traced. The article touches upon the aspects of the stage fate Marko Kropyvnyts’ky as representatives of coryphaeus theater (teatr Korypheyiv). Odesa becomes a very important city in the rising of the creative skills of the master. The most significant events of his life take place here: the debut of 1871, numerous tours, the celebration of the 25th anniversary of his artistic activity, the last performances of the actor. Marko Kropyvnytsky showed his care for everybody wishing to get into the theatre. Marko Kropyvnytsky in Odessa – is an important part of a great history of the Formation of the Ukrainian theatre. Special attention is paid of actor talent, as well as social and national components of this national culture phenomenon. The stage way of the famous actor in Odesa was retraced. Particular attention was paid to such creative achievements of Marko Kropyvnytsky as producing, organization of theatre business, actor skills. The roles with which the great master was touring were named. The article exposes special unrepeatable atmosphere of the theatre of coryphaeus, comes through its phenomenal substance. The proposed article serves as an attempt to appnoach one of the coryphaeus of the Ukrainian theatre – Marko Kropyvnytsky who multiplied achievements of Ukrainian stage with his talent. Author to define chief principle of actor talent master, important detales of the writer’s biography and they help with better understanding his literary her itage. Being oriented to a prepared reader, distinctly actor talent has summed up almost century-long development of Ukrainian playwriting, raising it to a new level. The author touches upon the creative searches and results succeeded the actor. He firmly sticks to native sources, it traced the stage way Marko Kropyvnytsky.