Эстетика одесского феномена в сатирическом мире дилогии И. Ильфа и Е. Петрова

Abstract

The article deals with the poetics of I. Ilf and E. Petrov novels „The Twelve Chairs” and „The Little Golden Calf”, which belong to the literary heritage of the southern Russian school, in conjunction with the national cultural aesthetics of Odessa phenomenon. It is proved, that a certain role in the formation of national and cultural aesthetics of novels belongs to a number of factors – national, ethnic, cultural and geographical that defined the specifics of satire in the novels, which reflected all the sociocultural diversity of the southern Russian consciousness.