Прогулки по Одессе: семантика и прагматика (на материале фильмов Киры Муратовой «Короткие встречи» и Сергея Соловьева «Наследница по прямой»)

Abstract

Poetic cinematography of sixties considers a town as one of the heroеs of cinema text. Events take place in city streets of the unofficial space (outskirts,café,beach). Special character of sincerity that is typical for «ottepel» cinema becomes possible thanks to the depiction of faculty everyday life practices, in particular, walking. Translocation of the view from the center (official space) to the periphery (private space) creates the feeling of freedom, special still breath, which is typical for this kind of art.