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http://hdl.handle.net/11320/11891
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Pole DC | Wartość | Język |
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dc.contributor.author | Chmielecki, Konrad | - |
dc.date.accessioned | 2021-11-08T11:41:46Z | - |
dc.date.available | 2021-11-08T11:41:46Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | Visualist 2012: uluslararası görsel kültür kongresi iletişimde, sanatta ve tasarımda yeni yaklaşım "dijitalleştirme" 7-9 Mart 2012 = Visualist 2012 International Congress on Visual Culture: New Approaches Communication, Art and Design „Digitalization”, ed. Işıl Zeybek, Deniz Yengin, İstanbul 2012, s. 96-106 | pl |
dc.identifier.isbn | 978-605-4233-76-2 (vol. 2) | - |
dc.identifier.isbn | 978-605-4233-78-6 | - |
dc.identifier.uri | http://hdl.handle.net/11320/11891 | - |
dc.description.abstract | The Anthropology of New Visuality is a project formulated by Arturo Escobar concerning visual aspects of the Anthropology of Cyberculture. The issues addressed include new forms of visuality in the contexts of digital technologies of seeing. The main thesis is based on the conviction that Escobar’s project finds new research areas in Visual Culture Studies and is discussed based on the research of theoreticians identifying themselves with this field. The research context is divided into three theoretical aspects: virtual cultures, surveillance cultures, and interface cultures. Consequently, virtual cultures include the issue of new visualities, which are the effect of functioning of various types of virtual realities. Furthermore, surveillance cultures are a current reflection, which refers to Michel Foucault’s theories directly to web-cameras monitoring private, public, and satellite space. Then, within the notion of interface cultures questions of online identity, telepresence, and artificial life, obtained by means of the Internet, are discussed. | pl |
dc.language.iso | en | pl |
dc.publisher | İstanbul Kültür Üniversitesi | pl |
dc.subject | The Anthropology of New Visuality | pl |
dc.subject | Virtual Cultures | pl |
dc.subject | Surveillance Cultures | pl |
dc.subject | Interface Cultures | pl |
dc.title | The Anthropology of New Visuality as a Reflection on ‘Digital’ Visual Culture | pl |
dc.type | Book chapter | pl |
dc.rights.holder | All rights reserved by Istanbul Kültür University | pl |
dc.description.Email | kchmielecki@ahe.lodz.pl | pl |
dc.description.Affiliation | Academy of Humanities and Economics in Łódź | pl |
dc.description.references | Escobar, A. (1994). ‘Welcome to Cyberia. Notes on the Anthropology of Cyberculture’. Current Anthropology 35(3): 215–217. | pl |
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dc.description.references | Böhme, H. (2008). ‘On the Theology of Telepresence’. Trans. by A. Gates. In: Søndergaard M., Weibel P. (eds.), Thorbjørn Lausten’s Visual System – Magnet. Karlsruhe: Zentrum für Kunst und Medientechnologie. | pl |
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dc.description.volume | 2 | pl |
dc.description.firstpage | 96 | pl |
dc.description.lastpage | 106 | pl |
dc.identifier.citation2 | Visualist 2012: uluslararası görsel kültür kongresi iletişimde, sanatta ve tasarımda yeni yaklaşım "dijitalleştirme" 7-9 Mart 2012 = Visualist 2012 International Congress on Visual Culture: New Approaches Communication, Art and Design „Digitalization” | pl |
dc.conference | Visualist 2012: International Congress on Visual Culture. New Approaches in Communication, Arts and Design; "Digitalization"; March 7-9 2012, Istanbul | pl |
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