Пути и перепутья анализа современной русской литературы

Abstract

The paper deals with the methodological guidance of the analysis of modern Russian literature. It highlights the main trends in contemporary Russian literary criticism in the context of the "three corners": social-cultural, linguistic and anthropological. The influence of socio-techno-media environment in the modern literary process is analyzed. It turns out the status of the visual image in the literature. The effect of the new system image on a modern literary language is considered, using conceptualism as an example. The influence of conceptualism in the creation of new forms of work in the literature is investigated. The conclusion is that the traditional methods of research associated with the semantics of work, designed to detect the idea of the work, its aesthetic value, original intentions have failed at a meeting with contemporary art and literature. New approaches to the analysis of texts of modern literature are outlined. The problem of the applicability and pairing categories of classical aesthetics (beauty, harmony, sublime, mimesis) with the ethical concepts and categories of negative aesthetics or negative aesthetics (ugly, chaos, trash) is formulated. Concepts such as time-of-way, the story (verbal) and presentation (visual), the event, the image space are rethought. The main objective of the paper – to understand how the modern Russian literature is embedded in the history of Russian literature, in its dialogical relationships, genetic and typological connections