Игра в примитив как вектор выхода из тупика постмодернизма (поэзия и проза 2000-х)

Abstract

Intellectual dominant of creative thinking in the second half of the XX century, following the setup of self-reflexion of art, released it from connection with life as a supreme value. So the problems with ontological justification of author's status and the meaning of his creation appeared. The return to the paradigm of thinking, unconditionally oriented on values, but maintaining deep reflection of the form is realized noncanonically by its form, non-traditionally through its system of values, the model of creation - literary primitive. "Primitive" poetics is characterized by simplicity, clarity, emotional expressiveness and the distinctive "naive" form. The motifs of the primitivist poetics are revealed in parafolklore stories, pictures, sentimental narratives. Refined intellectual game is oriented on the search of new expressive language and ways and on regeneration of nature meanings. The article covers poetry and fairy tales of L. Petrushevskaya, rap-lyrics of A. Radionov, para-folklore ballades and songs of M. Stepanova, lyrics and prose of T. Kibirov. Their creative results prove the possibility of regeneration of naive's anthropology through the polemics with postmodernist relativism. It also proves that special creative model of thinking - intellectually naive – appeared.