Культурологические аспекты литературно-музыкального сотрудн и сотрудничества Андруховича и группы «Карбидо»

Abstract

This article is devoted to the study of interaction between literature and music, Polish and Ukrainian cultural habitat, analysis of artistic and musical experience which had embodied itself in a specific form, this is about the creative work of Polish/Ukrainian experimental music band „Karbido”. The history of cooperation between Yuriy Andruhovich and „Karbido” is considered in great detail. The year 2015 was a starting point of the band’s creation. In years of their cooperation 4 albums were made („Samogon”, „Cinamon”, „Absinthe”, „Atlas Estermo”), dozens of concerts were played. „Samogon” and „Citamon” exist in two variations – Ukrainian and Polish. „Absinthe” mostly consists of Ukrainian texts. The style of their music can’t be described in one particular way – it’s a mix of ethnic jazz, vanguard rock, ironical/satirical melodeclamation. An unconditional feature of this project is the fact that the text’s author has his own right to accentuate, furthermore articulation of poetry is a visualization of art. An aptitude to visualization on the one hand and articulation on the other is a distinctive phenomenon of modern culture. It is proven that the interaction between Yuri Andruhovich and Polish musicians has pushed both sides to new experiments and to creating multimedial visions at the meeting point of poetry, prose and movies, audio performances. That’s why Yuriy Andruhovich is one of the most active artists of literary and musical performance. In early 2000 Yuri Andruhovich’s performances „Pereversia” and „Albert or the highest degree of execution” had great effect on Ukraine’s culture.