Одеський мариністичний інтертекст у неоромантичних проекціях

Abstract

Marine symbols in the novel "The Master of the Ship" by Yurii Yanovsky are discovered, their semantics, which is an important component of the interteхtual level of the text is investigated in the article. The attempt to trace the intertextual connections on the level of epigraph, reception and interprеtation of the ancient mythologeme, thematic level is made. The powerful component of the allusion of the neoromantic novel by Y. Yanovskiy was Odessa marine discourse. It is proved that the symbol-image of seaside city-port is exactly the one which connects the art pieces by Y. Yanovskiy, A.Grin, K, Paustovskiy. The basic conception is stated to be the “poetic complex of a sea” one by V. Toporov. The principle of decoding, explanation of “ the marine codes of the nonmarine messages” is implemented. It gave the opportunity to approach to the inside senses of the underlying message layers of the texts. The attention was paid to the poetics of the title. The semantics of the mythologema of the ship in the world tradition and it`s artistic realisation in the analysed texts is found out. The ship is a symbol of inner renewal of a person and Ukrainian nation on the whole. As the “marine complex” is discovered in the correspondence of some motives, it seemed to be reasonable to dwell on one of the main of such motives – sea – steppe, as the steppe which is described by the means of sea imagery (the common denominator is their infinity). By the way, the paratextual analysis of the text of the novel “The master of the ship” is done. It encourages the emphasis of a certain importance of it`s marine extent.