REPOZYTORIUM UNIWERSYTETU
W BIAŁYMSTOKU
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dc.contributor.authorFeldman-Kołodziejuk, Ewelina-
dc.date.accessioned2021-02-23T06:35:28Z-
dc.date.available2021-02-23T06:35:28Z-
dc.date.issued2020-
dc.identifier.citationBrno studies in English, Vol. 46, no 2 (2020), p. 119-135pl
dc.identifier.issn0524-6881-
dc.identifier.urihttp://hdl.handle.net/11320/10221-
dc.description.abstractThe article invites a reading of Michael Crummey's Sweetland (2014) from the geocritical point of view. The novel is a fictional record of the resettlement of a fishing town situated on an imaginary island off the coast of Newfoundland. The main character refuses to leave his home, and by feigning his own death manages to stay behind when all other inhabitants depart. The proposed analysis employs such geocritical tools as geobiography, cartography, sensory experience of the land and its agency, regionalism as well as Pierre Nora's concept of lieu de mémoire. The article analyzes the geobiographical elements in the novel to underscore the book's status as Crummey's tribute to his fatherland. It investigates the factors that prevented the protagonist from taking the resettlement package and the transformations that the deserted island undergoes. It also elaborates on the motif of the map in the discussed narrative and reflects on the role of Newfoundland literature in preserving regional identity.pl
dc.description.sponsorshipThe project is financed from the grant received from the Polish Ministry of Science and Higher Education under the Regional Initiative of Excellence programme for the years 2019–2022, project number 009/RID/2018/19, the amount of funding 8 791 222,00 zloty.pl
dc.language.isoenpl
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.en*
dc.subjectMichael Crummeypl
dc.subjectSweetlandpl
dc.subjectgeocriticismpl
dc.subjectregionalismpl
dc.subjectresettlementpl
dc.subjectlieu de mémoirepl
dc.titleTribute to Newfoundland, tribute to fatherland : Michael Crummey's Sweetland in a geocritical perspectivepl
dc.typeArticlepl
dc.description.Emaile.feldman@uwb.edu.plpl
dc.description.BiographicalnoteEwelina Feldman-Kołodziejuk is an assistant at the University of Białystok, Poland, working on her doctoral dissertation devoted to the fiction of Margaret Atwood. Her primary area of academic interest is North American literature and culture. She is a member of the Polish Association for Canadian Studies and the author of several articles that oscillate around the themes of motherhood and geopoetics. In 2015 she was awarded a scholarship from the Corbridge Trust in Cambridge.pl
dc.description.AffiliationUniwersytet w Białymstokupl
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dc.description.referencesCrummey, Michael (1998) Hard Light. London, Ontario: Brick Books.pl
dc.description.referencesCrummey, Michael (2014) Sweetland. London: Corsair.pl
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dc.description.referencesPolić, Vanja (2018) The hauntings of Canada in Michael Crummey’s Sweetland. London Journal of Canadian Studies 33 (6), 77–93. Accessed on May 28, 2020. https://doi.org/10.14324/111.444.ljcs.2018v33.006pl
dc.description.referencesSugars, Cynthia and Gerry Turcotte (2009) Canadian literature and the postcolonial gothic. In: Unsettled Remains: Canadian Literature and the Postcolonial Gothic edited by Cynthia Sugars, and Gerry Turcotte, vii‒xxvi. Waterloo: Wilfrid Laurier University Press.pl
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dc.description.referencesWestphal, Bertrand (2007) Geocriticism: Real and Fictional Spaces, transl. by Robert T. Tally Jr. New York: Palgrave Macmillan.pl
dc.identifier.eissn1805-0867-
dc.description.volume46pl
dc.description.issue2pl
dc.description.firstpage119pl
dc.description.lastpage135pl
dc.identifier.citation2Brno studies in Englishpl
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