Хронотоп в пьесах нереалистических художественных систем конца ХХ – начала ХХI вв. (на материале произведений Е. Поповой Тонущий дом и М. Арбатовой Семинар у моря)

Abstract

The typological aspect of Russian and Belarusian dramatic art research in the end of ХХ and the beginning of ХХI centuries remains actual and prior in modern literary criticism. The focus of the article is the chronotope in the plays, which is built at the junction of two aesthetic systems, realism and modernism. As the example we considered plays by Belarusian (The sinking house by E. Popova, The Gerda by A. Karelin, Salvage works on the shore of an imaginary sea by K. Steshik, Real by A. Kureychik) and Russian (Seminar at the sea by M. Arbatova, Sushi, or the Triumph O. Kuchkina, Tragedians and comedians by V. Arro, ...Sorry by A. Galin) authors. Taking as an example E. Popova’s (who is one of the leading Belarusian (Russianspeaking) writers) and M. Arbatova’s (being the former representative of a “new wave” of Russian dramatic art) plays, we will try to single out the general and various in their plays, having paid attention to a problem of the time-space.